{"title":"午夜的人群:萨利姆西奈的生活和时代","authors":"A. Martins","doi":"10.1590/2596-304x20232548abm","DOIUrl":null,"url":null,"abstract":"ABSTRACT This paper reads Salman Rushdie’s Midnight’s Children (1981) alongside Michael Hardt and Antonio Negri’s Multitude: War and Democracy in the Age of Empire (2004) in an attempt to enter the discussion presented by the latter authors that the multitude requires the existence of a new Rabelais who can capture its revolutionary monstrosity in action towards a new sense of democracy.","PeriodicalId":33855,"journal":{"name":"Revista Brasileira de Literatura Comparada","volume":"11 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Midnight’s multitudes: the life and times of Saleem Sinai\",\"authors\":\"A. Martins\",\"doi\":\"10.1590/2596-304x20232548abm\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This paper reads Salman Rushdie’s Midnight’s Children (1981) alongside Michael Hardt and Antonio Negri’s Multitude: War and Democracy in the Age of Empire (2004) in an attempt to enter the discussion presented by the latter authors that the multitude requires the existence of a new Rabelais who can capture its revolutionary monstrosity in action towards a new sense of democracy.\",\"PeriodicalId\":33855,\"journal\":{\"name\":\"Revista Brasileira de Literatura Comparada\",\"volume\":\"11 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Revista Brasileira de Literatura Comparada\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1590/2596-304x20232548abm\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista Brasileira de Literatura Comparada","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1590/2596-304x20232548abm","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Midnight’s multitudes: the life and times of Saleem Sinai
ABSTRACT This paper reads Salman Rushdie’s Midnight’s Children (1981) alongside Michael Hardt and Antonio Negri’s Multitude: War and Democracy in the Age of Empire (2004) in an attempt to enter the discussion presented by the latter authors that the multitude requires the existence of a new Rabelais who can capture its revolutionary monstrosity in action towards a new sense of democracy.