另一个突破口是欧洲的版权地域性及其对竞争法的逐渐侵蚀

G. Mazziotti, Felice Simonelli
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引用次数: 3

摘要

本文旨在展示欧盟委员会如何在数字单一市场中寻求解决市场分裂和版权内容不可访问的问题。该分析利用了国家版权名称的执行与欧盟(EU)确保泛欧洲获得版权作品的政策目标之间仍未解决的冲突。设计/方法/方法首先,本文关注国家版权制度与网络内容市场现有地域划分之间的因果关系。其次,本文回顾了欧盟委员会在其最近旨在确保在线内容服务跨境“可移植性”的立法倡议中所采用的零敲碎打的方法。第三,论文指出,欧盟委员会在一起正在进行的反垄断案件中采取了一种更为激进的方法,反对主要电影制片人和欧盟最大的广播公司制造的领土分割,这可能会重新审视版权的地域性原则。特别地,本文解释了为什么TFEU第101条关于创建绝对领土专有权区域的许可协议的应用可能对现有的在线分销模式产生潜在的破坏性影响。虽然指出这一结果将在很大程度上取决于正在进行的反垄断案件将如何解决,但该论文得出的结论是,所谓的“被动销售”的自由化可能会迫使内容所有者和广播公司(或内容供应商)重新构建在线内容市场,并用其他可能有助于他们区分产品和套餐的标准取代地域性。容克委员会(Juncker Commission)自上任以来一直倡导的版权规则现代化,旨在确保消费者无论身在欧洲何处、不分国界,都能通过电子设备访问服务、音乐、电影和体育赛事。2015年5月,这一承诺被纳入欧盟委员会通讯“欧洲数字单一市场战略”的第一支柱。特别是,欧盟委员会宣布打算在2015年底之前提出立法建议,以减少国家版权制度之间的差异和摩擦,防止“不合理的”地理封锁。与此同时,欧盟委员会(European Commission)竞争总局(DG Competition)以反垄断机构的身份,正在进行一项正式的反垄断调查,目的是审查几家美国电影制片厂与欧洲最大的付费电视广播公司签订的地域许可协议,是否可能被视为不符合《欧盟竞争法》第101条。这是第一次,一篇论文旨在比较欧盟版权框架正在进行的改革的预期结果与竞争总局领导的反垄断调查的潜在结果,并确定委员会采用的两种方法的利弊。
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Another breach in the wall: copyright territoriality in Europe and its progressive erosion on the grounds of competition law
Purpose This paper aims to show how the European Commission is seeking to solve the problems of market fragmentation and inaccessibility of copyright content in the Digital Single Market. The analysis draws on a still unresolved conflict between the enforcement of national copyright titles and the European Union (EU) policy objective to ensure pan-European access to copyright works. Design/methodology/approach First, the paper focuses on the causal relationship between national copyright systems and the existing territorial partitions in the online content markets. Second, the paper reviews the piecemeal approach followed by the Commission in its recent legislative initiative aimed at ensuring the cross-border “portability” of online content services. Third, the paper points out how a much more radical approach the Commission has undertaken in an ongoing antitrust case against the territorial partitions created by major film producers and the biggest EU broadcasters might revisit the principle of copyright’s territoriality. Findings In particular, the paper explains why the application of Article 101 TFEU with regard to the licensing agreements creating areas of absolute territorial exclusivity might have potentially disruptive effects on the existing models of online distribution. While pointing out that this outcome will largely depend on how the ongoing antitrust case will be settled, the paper concludes that the liberalization of so-called “passive sales” might force content owners and broadcasters (or content suppliers) to re-structure markets for online content and to replace territoriality with other criteria that might help them differentiate their offerings and packages. Originality/value The modernization of copyright rules that the Juncker Commission has advocated since the start of its mandate aims to ensure that consumers can access services, music, movies and sporting events on their electronic devices wherever they are in Europe and regardless of borders. In May 2015, this pledge was transposed in the first pillar of the Commission Communication “A Digital Single Market Strategy for Europe”. In particular, the Commission announced its intention to propose, before the end of 2015, legislation to reduce differences and friction between national copyright regimes and prevent “unjustified” geo-blocking. In parallel, DG Competition of the European Commission in its capacity as antitrust authority is conducting a formal antitrust investigation aimed to examine whether territorial licensing agreements concluded by several US film studios with the largest European pay-tv broadcasters could be regarded as incompatible with Article 101 TFEU. For the first time, a paper aims to compare the expected outcome of the ongoing reform of the EU copyright framework vis-a-vis the potential outcome of the antitrust investigation led by DG Competition and identify the pros and cons of the two approaches followed by the Commission.
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