{"title":"萨巴纳学派的山水画:哥伦比亚艺术绘画现代性的入口还是文化景观的归化?","authors":"Ricardo Malagón Gutiérrez","doi":"10.25025/hart13.2023.05","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":52912,"journal":{"name":"Hart","volume":"14 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"La pintura de paisaje de la Escuela de la Sabana: ¿una entrada a la modernidad pictórica en el arte colombiano o la naturalización de un paisaje cultural?\",\"authors\":\"Ricardo Malagón Gutiérrez\",\"doi\":\"10.25025/hart13.2023.05\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":52912,\"journal\":{\"name\":\"Hart\",\"volume\":\"14 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Hart\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.25025/hart13.2023.05\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Hart","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.25025/hart13.2023.05","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
La pintura de paisaje de la Escuela de la Sabana: ¿una entrada a la modernidad pictórica en el arte colombiano o la naturalización de un paisaje cultural?