何瑞·多诺《大阳传说》的创作背景:发展本地资源型创意的基础

Endang Widiyastuti, T. Rohidi, T. Florentinus
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引用次数: 3

摘要

艺术文化教育以整体艺术的集体艺术(综合艺术)形式为印尼民族的发展目标做出贡献。具体来说,印尼的传统艺术形式可以在大阳艺术中找到。全球化和ICT在演艺界的发展对年轻一代缺乏对大阳艺术表演的兴趣产生了负面影响,尤其是Solo文化城市。对黑里多诺木偶传说创作背景的研究,涉及到在大阳木偶成为新大阳的方式中,艺术家背后的观念(观念的来源)方面。本研究采用定性描述方法。研究对象是《大阳传说》的制作过程和事件表现。研究数据的来源是线人、地点、事件和文件。通过观察技术、访谈和内容分析来检查现有的文献研究、目的抽样和滚雪球抽样获得的数据。通过对数据来源和方法进行三角剖分,验证了数据的有效性。采用交互分析技术对数据进行分析。《大阳木偶》的创作背景是“呈现自我的意识”、“转向传统”,始于20世纪80年代。体验木偶人物与理解木偶故事有关。Heri Dono重申了他的信念,即艺术不能与文化分离。在他的艺术创作中,他觉得有必要培养对声音和音乐的敏感度,对运动的敏感度和对讲述的敏感度。Heri Dono创作了两个传奇木偶系列:1988年的《Si Tungkot Tunggal Panaluan》是根据北苏门答腊岛巴塔克社会的传说创作的,1992年的《桃太郎》是根据日本社会的传说创作的。《传奇大阳》系列以白话为媒介,揭示当代艺术;通用语言被用来建立现代世界范围内的交流,它融合了卡通和漫画的形象。
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Background of the Creation of Heri Dono’s Wayang Legenda as a Basis of Developing Local Resource-Based Creativity
The education of art and culture contributes to the development goals of the Indonesian nation in the form of collective art (integrated art) of the whole art. Concretely, traditional art form in Indonesia can be found in wayang art. Globalization and the development of ICT in the show world now have a negative impact on the lack of interest of the younger generation to recognize the performance of wayang art, especially Solo cultural city. The research on the background of the creation of the Heri Dono puppet legend involves the aspect of the idea (source of ideas) that underlies the artist in the wayang puppets' way of being a new wayang. This research uses qualitative-descriptive approach. The object of research is the process of making and events Wayang Legend show. Sources of research data are informants, places, events, and documentation. Data obtained through observation techniques, interviews, and content analysis to examine existing document study, purposive sampling, and snowball sampling. The validity of the data is tested by triangulation of sources and methods. Data were analyzed using interactive analysis technique.The background of the Wayang Puppet creation Heri Dono stood on the consciousness of presenting himself, turning to tradition, and beginning in the 1980s. Experiencing puppet characters is related to understanding puppet show stories. Heri Dono reaffirms his belief that art is not separated from culture. Underlying his art making, he feels the need to develop the sensitivity to listen to the sounds and music, the sensitivity to motion and the sensitivity of telling. Heri Dono created two series of Legend Puppet: in 1988 "Si Tungkot Tunggal Panaluan" based on the legend of Batak society of North Sumatra and in 1992 "Momotaro" which raised the legend of Japanese society. The Legend Wayang Series uses vernacular as a medium for the disclosure of contemporary art; universal language is used to build communication within the sphere of the modern world, which incorporates the image of cartoons and comics.
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