Yogie Pranowo
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摘要

让-保罗·萨特提供了一种看待艺术品的不同方式。他提供了心理学和现象学的观点。萨特所指的艺术包括音乐、绘画、文学和戏剧。在他与艺术作品有关的思想中,萨特提出了一个类比的概念,这个概念对解释他的想象概念起着关键作用。在此基础上,他进一步解释了艺术作品中的非现实概念,其中类比是一种媒介或物质载体。当你欣赏一件艺术品时,你是在欣赏它的类比。音乐可以被看作是对现实的过度,文学在其社会环境中找到了自己的角色,一幅画激发了观众在他或她的意识中升起某些图像,戏剧中的演员不仅仅是描绘人物的性格,因为他在舞台上扮演的角色变得“不真实”。所有这些都带来了对艺术作为非现实的理解。
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Karya Seni dalam Pandangan Jean-Paul Sartre
Jean-Paul Sartre offers a different way of looking at artworks. He offers psychological as well as phenomenological perspectives. The artworks referred to by Sartre include music, painting, literature, and theater. In his thoughts related to works of art, Sartre offers a notion of analogon, that has a key role to explain his concept of imagination. With this notion, he goes further to explain the concept of irreality in artworks, of which analogon is a medium or a material vehicle. When enjoying an artwork, one is enjoying the analogon. Music can be seen as an excess of reality, literature finds its role within its social environment, a painting provokes a viewer to rise certain images in his or her cosciousness, and an actor in theater not simply portrays the characters of a personage because he becomes ‘not real’ in playing his role on the stage. All this brings to the understanding of artwork as irreality.
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