韩国前现代文学叙事结构中的“被动英雄”特征

IF 0.1 3区 历史学 0 ASIAN STUDIES Acta Orientalia Academiae Scientiarum Hungaricae Pub Date : 2023-05-22 DOI:10.1556/062.2023.00262
M. Riotto
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引用次数: 0

摘要

本文首先考察了韩国起源文学中的被动英雄形象,然后考察了高丽时期和Chosŏn时期韩国古典文学中的被动英雄形象。在一般的介绍部分中,作者考察了世界范围内的英雄原型及其随时间的演变,在第一部分中,作者特别研究了韩国文学,分析了四篇短篇历史/神话故事中的被动英雄,这些故事不同地发生在2世纪到8世纪之间的时代,然后在文章的第二部分中分析了三个被动英雄人物作为一个14世纪的故事和两个18世纪的经典小说的主角。因此,作者展示了被动英雄的叙事如何在韩国经历了重大转变,从神话/精神状态(通常甚至不承认对手的形象)过渡到一个绝对世俗的、唯物主义的和政治化的状态,主角发现自己面临着文化上层建筑,除了产生对手外,还将被动英雄推向真正形式的防御性原教旨主义。
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The Character of ‘Passive Hero’ in the Narrative Structures of Korea’s Premodern Literature
This article examines the figure of the passive hero first in the Korean literature of origins, and then in classical Korean literature of the Koryŏ and Chosŏn periods. After a general introductory section, in which the worldwide literary archetype of the hero and its evolution over time are examined, the author, specifically examining Korean literature, analyzes in part one the passive heroes of four short historical/mythological stories variously set in an era between the second and eighth centuries, and then part two of the article analyzes three passive hero figures as protagonists of one 14th-century tale and two 18th-century classic novels. The author thus shows how the narrative of the passive hero has undergone a significant transformation in Korea, passing from a mythical/spiritual state (which often does not even admit the figure of an antagonist) to a decidedly secular, materialist and politicized condition where the protagonists find themselves facing cultural superstructures which, in addition to generating antagonists, push passive heroes towards true forms of defensive fundamentalism.
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来源期刊
CiteScore
0.40
自引率
50.00%
发文量
32
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