以我们自己的形象再现过去:当代艺术家对中东濒危文化遗址数字化的反应

IF 0.1 4区 艺术学 Q3 Arts and Humanities Future Anterior Pub Date : 2019-05-22 DOI:10.5749/FUTUANTE.15.1.0045
E. Thompson
{"title":"以我们自己的形象再现过去:当代艺术家对中东濒危文化遗址数字化的反应","authors":"E. Thompson","doi":"10.5749/FUTUANTE.15.1.0045","DOIUrl":null,"url":null,"abstract":"Abstract:The destruction of archaeological sites in Syria and Iraq by the Islamic State has been widely covered in the Western media, and has launched a flurry of projects with the goal of combatting the destruction through the use of digital technologies. Technologies such as 3D modeling and printing have been hailed as salvific, and their ability to preserve threatened sites, reconstruct destroyed ones, and disseminate knowledge of the past cheaply and easily all over the globe have been called the only possible remedy for destruction by the IS. This article surveys the work of a number of contemporary artists who are questioning these narratives and pointing to potential downsides to digital reconstructions of threatened cultural heritage.","PeriodicalId":53609,"journal":{"name":"Future Anterior","volume":"49 1","pages":"44 - 56"},"PeriodicalIF":0.1000,"publicationDate":"2019-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"5","resultStr":"{\"title\":\"Recreating the Past in Our Own Image: Contemporary Artists' Reactions to the Digitization of Threatened Cultural Heritage Sites in the Middle East\",\"authors\":\"E. Thompson\",\"doi\":\"10.5749/FUTUANTE.15.1.0045\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:The destruction of archaeological sites in Syria and Iraq by the Islamic State has been widely covered in the Western media, and has launched a flurry of projects with the goal of combatting the destruction through the use of digital technologies. Technologies such as 3D modeling and printing have been hailed as salvific, and their ability to preserve threatened sites, reconstruct destroyed ones, and disseminate knowledge of the past cheaply and easily all over the globe have been called the only possible remedy for destruction by the IS. This article surveys the work of a number of contemporary artists who are questioning these narratives and pointing to potential downsides to digital reconstructions of threatened cultural heritage.\",\"PeriodicalId\":53609,\"journal\":{\"name\":\"Future Anterior\",\"volume\":\"49 1\",\"pages\":\"44 - 56\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-05-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"5\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Future Anterior\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5749/FUTUANTE.15.1.0045\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Future Anterior","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5749/FUTUANTE.15.1.0045","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 5

摘要

摘要:西方媒体广泛报道了伊斯兰国对叙利亚和伊拉克考古遗址的破坏,并启动了一系列旨在利用数字技术打击破坏的项目。3D建模和打印等技术被誉为救星,它们能够保护受威胁的遗址,重建被摧毁的遗址,并在全球范围内廉价而方便地传播过去的知识,这被称为IS唯一可能的破坏手段。本文调查了一些当代艺术家的作品,他们质疑这些叙事,并指出了对受威胁的文化遗产进行数字化重建的潜在缺点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Recreating the Past in Our Own Image: Contemporary Artists' Reactions to the Digitization of Threatened Cultural Heritage Sites in the Middle East
Abstract:The destruction of archaeological sites in Syria and Iraq by the Islamic State has been widely covered in the Western media, and has launched a flurry of projects with the goal of combatting the destruction through the use of digital technologies. Technologies such as 3D modeling and printing have been hailed as salvific, and their ability to preserve threatened sites, reconstruct destroyed ones, and disseminate knowledge of the past cheaply and easily all over the globe have been called the only possible remedy for destruction by the IS. This article surveys the work of a number of contemporary artists who are questioning these narratives and pointing to potential downsides to digital reconstructions of threatened cultural heritage.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Future Anterior
Future Anterior Arts and Humanities-Visual Arts and Performing Arts
自引率
0.00%
发文量
0
期刊最新文献
The Life and Death of Skanderbeg Square: A Chronicle of an Undoing Foretold, in a Hundred Years Slightly Disappointing Ruins and the Facades of Tourist Imagery Dirty Industry, Heritage, and the Erasure of Immigrant Pasts The Necessary Interlinking of Culture and Climate Change Heritage Conservation in Postcolonial India: Approaches and Challenges ed. by Manish Chalana and Ashima Krishna (review)
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1