在赫尔辛基的一个社区项目中,图画意义的创造。freireen对对话过程的解释

Aino Hannula
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摘要

公共话语的参与属于民主公民权。然而,一部分人被排除在共同讨论之外。本文介绍了摄影群相机的工作原理。,主要包括赫尔辛基的失业人员,通过对话过程从他们自己的日常生活中创造出图像声音,并使其对其他人也可见。研究的重点是从项目开始到2004-2006年第一次展览的过程。作为理论背景,本文运用了保罗·弗莱雷的对话和声音创造思想,并结合了维果茨基和梅齐罗的意义制造概念。本研究采用参与式行动研究方法。材料包括观察、采访和参与者拍摄的照片。在描述意义制造的进展时,使用了叙事变化会计的方法。论文的结论是,该组织通过反思性对话,创造了一种关于其成员生活世界的形象声音。《相机》摄影展。传达了孤独和孤立的信息,传达给了展览的观众。对于小组的参与者来说,成功的普通摄影工作,与观众的互惠和宣传,为公民活动提供了经验和勇气。
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The pictorial meaning-making in a community project in Helsinki. Freirean interpretations of a dialogical process
The participation in the public discourse belongs to the democratic citizenship. A part of population, however, is excluded from the common discussion. This paper describes how the photography group Camera Obs., which principally contained unemployed people in Helsinki, through a dialogical process creates pictorial voice from their own everyday life and brings it visible also to other people. The research focuses on the process from the beginning of the project to its first exhibition during the years 2004–2006. As a theoretical background, Paulo Freire’s ideas of dialogue and voice creation, combined by Vygotsky’s and Mezirow’s concept of meaning-making, have been applied. The research is conducted by participatory action research approach. The material consists of observations, interviews and photos taken by the participants. In describing the advance of the meaning-making, the method of narrative change accounting is used. The paper concludes that the group, through reflective dialogue, created a pictorial voice about its member’s lifeworlds. The photo exhibition of Camera Obs. conveyed the message about loneliness and isolation, which reached the spectators of the exhibition. To the participants of the group, the successful common photography working, the reciprocity with the audience and the publicity, gave experience and courage for the civic activity.
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