{"title":"Aizanoi’dan Yeni Onurlandırma Yazıtları","authors":"Pınar Aytaçlar","doi":"10.37095/gephyra.1254915","DOIUrl":null,"url":null,"abstract":"In this paper, four new honorific inscriptions from Aizanoi are presented. All of the inscriptions have been found in Çavdarhisar during the excavation seasons of 2021 and 2022 and excluding n. 2, the stones are rectangular bomos-type statue bases. Inscriptions are dated to the Roman Imperial Period. N.1 is the honorary inscription of Lucius Claudius Lepidus who was the life-long high priest of the emperor in the reign of Commodus. He was the chief priest of Asia and the neokoros of the temples in Smyrna. The inscription was erected by the phyle Asklepias, the name of which first came into light due to the excavations in the theater in 2020. N. 2 is a honorific inscription of a chreophylakes whose name is unfortunately missing. Chreophylakia was a prominent public office in Aizanoi, as seen in the honorific inscriptions of the city’s elite citizens. N. 3 and n. 4 are rectangular bomos-type statue bases. Both of them are honours of the “πατρίς”. Although ἡ πατρὶς occurs frequently in the inscriptions of Aizanoi, it was in the nominative case in only two published examples. N. 3 belongs to Philiskos, son of Philiskos, the ephebos. Finally, n. 4 is the statue base of Neikostratos, son of Dionysios, the stephanephoros, honoured by his fatherland.","PeriodicalId":37539,"journal":{"name":"Gephyra","volume":"76 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Gephyra","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37095/gephyra.1254915","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
本文介绍了四种新的艾札诺敬文。所有的铭文都是在2021年和2022年的挖掘季节在Çavdarhisar发现的,除了2号之外,这些石头都是矩形的形像底座。碑文可以追溯到罗马帝国时期。N.1是Lucius Claudius Lepidus的荣誉铭文,他是康茂德统治时期皇帝的终身大祭司。他是亚细亚的大祭司,也是士麦拿神殿的祭司。碑文是由阿斯克勒皮亚斯神庙竖立的,由于2020年在剧院的挖掘,它的名字首次曝光。N. 2是一种革藻的铭文,它的名字不幸丢失了。Chreophylakia在Aizanoi是一个重要的公共职位,从城市精英公民的敬文中可以看出。n. 3和n. 4为矩形异形雕像底座。两者都是“πατρ末梢ς”的荣誉。虽然ς πατρ ς在Aizanoi的铭文中经常出现,但仅在两个已发表的例子中以主格形式出现。N. 3属非利士的儿子非利士,以弗伯。最后,第4号是狄俄尼索斯的儿子涅科斯特拉托斯的雕像底座,他受到祖国的尊敬。
In this paper, four new honorific inscriptions from Aizanoi are presented. All of the inscriptions have been found in Çavdarhisar during the excavation seasons of 2021 and 2022 and excluding n. 2, the stones are rectangular bomos-type statue bases. Inscriptions are dated to the Roman Imperial Period. N.1 is the honorary inscription of Lucius Claudius Lepidus who was the life-long high priest of the emperor in the reign of Commodus. He was the chief priest of Asia and the neokoros of the temples in Smyrna. The inscription was erected by the phyle Asklepias, the name of which first came into light due to the excavations in the theater in 2020. N. 2 is a honorific inscription of a chreophylakes whose name is unfortunately missing. Chreophylakia was a prominent public office in Aizanoi, as seen in the honorific inscriptions of the city’s elite citizens. N. 3 and n. 4 are rectangular bomos-type statue bases. Both of them are honours of the “πατρίς”. Although ἡ πατρὶς occurs frequently in the inscriptions of Aizanoi, it was in the nominative case in only two published examples. N. 3 belongs to Philiskos, son of Philiskos, the ephebos. Finally, n. 4 is the statue base of Neikostratos, son of Dionysios, the stephanephoros, honoured by his fatherland.
GephyraArts and Humanities-Visual Arts and Performing Arts
CiteScore
0.70
自引率
0.00%
发文量
7
审稿时长
12 weeks
期刊介绍:
Gephyra - a Journal for the Ancient History and Cultures of the Eastern Mediterranean - is an open access publication platform for articles from all fields of research into Asia Minor and the Eastern Mediterranean, insofar as they shed new light on the history and culture of this geographical and historical region. Scope: Epigraphic, archaeological, numismatic and art historical contributions, commented and evaluated material presentations, as well as historical reflections and essays are all equally welcome.