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A New Milestone from Cibyra 来自Cibyra的新里程碑
Q1 Arts and Humanities Pub Date : 2023-10-23 DOI: 10.37095/gephyra.1373636
Murat ARSLAN, Şükrü ÖZÜDOĞRU, Nihal TÜNER ÖNEN
The article discussed here deals with a milestone whose location is unknown, but which is understood to have been erected 1.5 km away from the city center of Cibyra, based on the two inscriptions it bears. The milestone in question has two inscriptions indicating two different uses. Both inscriptions are written in Ancient Greek. While the first inscription dates to the Severan Period (AD 198-209), the latter belongs to the First Tetrarchy Period (AD 293-305). Both inscriptions give the city of Cibyra as caput viae and record the same distance. Thus, it is determined that the same milestone is reused approximately hundred years. In the introduction of the article, the routes related to Cibyra and the milestones that give Cibyra as caput viae are also discussed. In both uses, the milestone in question refers to repair and regulation works rather than the construction of a new road. This situation can be associated with the eastern campaigns during the Severan Period and the reconstruction efforts carried out during the Diocletian Era.
这里讨论的文章涉及一个里程碑,其位置未知,但根据它上面的两个铭文,可以理解它是在距离Cibyra市中心1.5公里的地方竖立的。有问题的里程碑有两个铭文,表明两种不同的用途。两个碑文都是用古希腊语写的。虽然第一个铭文可以追溯到塞维兰时期(公元198-209年),但后者属于第一四帝时期(公元293-305年)。这两个铭文都把西比拉城作为其所在地,并记录了相同的距离。因此,可以确定相同的里程碑大约可以重复使用100年。在文章的引言部分,还讨论了与Cibyra相关的路线以及使Cibyra成为caput viae的里程碑。在这两种用途中,所讨论的里程碑是指维修和管理工作,而不是建造一条新道路。这种情况可以与塞维兰时期的东部战役和戴克里先时代进行的重建工作联系起来。
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引用次数: 0
Kommemorativinschrift anlässlich der Stiftung von Opferfesten und Weihgaben durch einen Familienverband im Heiligtum von Dabla 由于达贝拉神殿的一个家庭组织所为祭祀和献身活动发表的逗号符号
Q1 Arts and Humanities Pub Date : 2023-10-16 DOI: 10.37095/gephyra.1371394
Gregor STAAB, Hüseyin UZUNOĞLU, Nalan Eda AKYÜREK ŞAHİN
This article is a continuation of the article published in the previous issue of Gephyra (Staab - Akyürek Şahin - Uzunoğlu 2023). The article analyses an inscription from the village of Ahmetler in the Pazaryeri district of Bilecik province, which was recorded by the Bilecik Museum authorities. The stone is not in the Bilecik Museum today but is probably still in the wall where it was built. The inscription was read from the photograph taken by the museum authorities, but the stone itself was not seen. The inscription is an epigram written in hexameter verse. The first two lines of the epigram are missing and probably remained under the cement on the wall. However, the rest of the lines are almost complete except line 1, which is poorly preserved. Since the stone was built into a wall, it is not clear whether the inscription carrier was an altar or a stele. The person named Onesikrates, mentioned in lines 3 and 4 of the inscription, played an important role in this inscription. This person is the uncle of Hermias, the young Onesikrates and Ulpianus. It is understood that the uncle Onesikrates was the head of the family group mentioned in the poem. It is not known whether he took over the care of his nephews after the death of their father and whether they therefore all belonged to the same household. In any case, here as elsewhere, third-degree kinship reflects close family ties, especially in rural social structures. The uncle Onesicrates, who was also a soldier, appears as a central figure, and all the nephews mentioned are included in his oath or prayer. In line 4, the addressee, addressed in the second person (σύ θ᾿), must be the (local?) deity of the (local?) sanctuary of Dabla, to whom the wish to bestow property on the named individuals is expressed. It is known from the inscriptions that Zeus Bennios or Zeus Bronton was worshipped in this region. This inscription may have been erected in the sanctuary of one of these two gods. The article analyses the phrase Δαβλόνῳ παρὰ νηῷ in line 9 of the inscription and suggests that the name of the settlement may be Dabla. The inscription poetically describes the full financing of the three sacrificial feasts. The poem itself is thus identified as an expression of this praise for the donors.
本文是上一期Gephyra (Staab - aky rek Şahin - Uzunoğlu 2023)文章的延续。这篇文章分析了比勒西克省帕扎里里区艾哈迈特勒村的铭文,该铭文由比勒西克博物馆当局记录。这块石头现在不在比莱克克博物馆里,但可能还在建造它的地方。碑文是从博物馆当局拍摄的照片中读出的,但没有看到石头本身。碑文是用六步诗写的警句。警句的前两行不见了,可能还在墙上的水泥下面。然而,除了保存较差的第1行,其余的行几乎都完成了。由于石头是建在墙上的,所以不清楚铭文载体是祭坛还是石碑。铭文的第三行和第四行提到了一个名叫Onesikrates的人,他在这个铭文中扮演了重要的角色。这个人是赫米亚斯的叔叔,还有年轻的奥涅西克拉特和乌尔皮亚努斯。据了解,Onesikrates叔叔是这首诗中提到的家庭集团的负责人。不知道他是否在侄子的父亲去世后接管了对他们的照顾,也不知道他们是否因此都属于同一个家庭。无论如何,这里和其他地方一样,三级亲属关系反映了密切的家庭关系,尤其是在农村社会结构中。他的叔叔奥尼西克拉底,也是一名士兵,作为中心人物出现,所有提到的侄子都包括在他的誓言或祈祷中。在第4行中,以第二人称称呼的收信人(σ υ θ)必须是(当地的)Dabla圣所的(当地的)神,向他表达了将财产给予被命名的个人的愿望。从铭文中可以得知,宙斯·本尼奥斯或宙斯·布朗顿在这个地区受到崇拜。这个铭文可能是竖立在这两个神之一的圣所里。本文分析了碑文第9行中Δαβλόν ζ παρ ρ νη ο一词,认为该聚落的名称可能为Dabla。碑文诗意地描述了三个祭祀节日的全部资金。因此,这首诗本身就被认为是对捐赠者的赞美。
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 The person named Onesikrates, mentioned in lines 3 and 4 of the inscription, played an important role in this inscription. This person is the uncle of Hermias, the young Onesikrates and Ulpianus. It is understood that the uncle Onesikrates was the head of the family group mentioned in the poem. It is not known whether he took over the care of his nephews after the death of their father and whether they therefore all belonged to the same household. In any case, here as elsewhere, third-degree kinship reflects close family ties, especially in rural social structures. The uncle Onesicrates, who was also a soldier, appears as a central figure, and all the nephews mentioned are included in his oath or prayer. In line 4, the addressee, addressed in the second person (σύ θ᾿), must be the (local?) deity of the (local?) sanctuary of Dabla, to whom the wish to bestow property on the named individuals is expressed. It is known from the inscriptions that Zeus Bennios or Zeus Bronton was worshipped in this region. This inscription may have been erected in the sanctuary of one of these two gods. The article analyses the phrase Δαβλόνῳ παρὰ νηῷ in line 9 of the inscription and suggests that the name of the settlement may be Dabla. The inscription poetically describes the full financing of the three sacrificial feasts. The poem itself is thus identified as an expression of this praise for the donors.","PeriodicalId":37539,"journal":{"name":"Gephyra","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136178595","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Pera Müzesi’ndeki Bizans Kurşun Mühürleri 佩拉博物馆中的拜占庭铅封
Q1 Arts and Humanities Pub Date : 2023-10-08 DOI: 10.37095/gephyra.1299257
Nilgun ELAM, Christos MALATRAS, Yavuz Selim GÜLER
The collection of lead seals of the Pera Museum consists of 17 unpublished pieces, except for three lead seals (nos.1, 8, and 10) which are dated from the second half of the 7th century to the 13th century. Ten of the seventeen Byzantine lead seals of the Pera Museum collection mention the dignities and the offices of their owners. These offices range from the lower rank of a simple notary (no. 5) up to the highest office of the emperor himself (no. 9). There is only one seal related to the ecclesiastical administration, issued by a bishop (no. 2). Noteworthy are the seals of Georgios (no. 6), who has the uniquely attested office of an imperial apothekarios, as well as the 11th-century seal of Pharasmanes Apokapes, member of a notable Byzantine family of Armenian origin, by whom no other seals have been published so far. Another group of seals consists of the specimens (nos. 11-14 and possibly also no. 17) where only the name or the surname of their owner is mentioned. All these pieces are dated to the period between the second half of the 11th century and the 13th century. In the collection, there are two more iconographic seals (nos. 15-16) depicting on both sides holy figures without any inscription that mentions their owner, and finally, an unidentified seal (no. 17) (dated to the end of the 11th century).
佩拉博物馆的铅封收藏包括17件未发表的作品,除了3件(1号、8号和10号),它们的年代是7世纪下半叶至13世纪。佩拉博物馆收藏的17个拜占庭铅封中,有10个提到了它们主人的尊严和办公室。这些办公室的级别从较低的普通公证员(no. 1;5)一直到皇帝本人的最高职位(不;9).只有一个与教会管理有关的印章,由主教颁发(编号。值得注意的是乔治的印章(no. 2)。6),他有一个独特的证明的帝国apothekarios的办公室,以及11世纪Pharasmanes Apokapes的印章,Pharasmanes Apokapes是一个著名的亚美尼亚裔拜占庭家族的成员,到目前为止还没有出版过其他印章。另一组海豹由11-14号标本组成,可能也有11-14号标本。17)只提到其所有者的名字或姓氏。所有这些作品都可以追溯到11世纪下半叶到13世纪之间。在该系列中,还有两枚肖像印章(第15-16号),两面描绘神圣人物,没有任何提及其主人的铭文,最后是一枚身份不明的印章(第15-16号)。(可追溯到11世纪末)。
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引用次数: 0
Senatorial Estates in Imperial Asia Minor – State of the Question, Methodological Issues and Perspectives on Future Research 帝国时期小亚细亚的元老院等级——问题现状、方法问题和未来研究展望
Q1 Arts and Humanities Pub Date : 2023-10-05 DOI: 10.37095/gephyra.1356511
Andreas KLİNGENBERG
The wealth and possessions of Roman senators in the imperial period consisted predominantly in land property, as emphasized by Pliny the Younger (epist. 3,19,8). It is mainly epigraphic documents that give us information about the location and sometimes extent of senatorial land ownership. Especially in Asia Minor there is plenty of evidence, of which Helmut Halfmann already compiled quite some in 1979. Since then many new testimonies have been discovered and published. Apart from that, further, earlier published evidence for the land ownership of senators whose origin was not in Asia Minor can be added. However, a systematic study of senatorial land ownership in Asia Minor as a whole is not yet at hand. The paper provides prolegomena to such a study. I thus give an overview of the extent, distribution and background of senatorial land ownership in Asia Minor. Rarely is this property so clearly indicated as in the land register of Magnesia (I.Magnesia 122, c2). Usually only the combination of different inscriptions confirms the identification of senatorial landowners. Therefore, I outline methodological guidelines on how to obtain reliable findings from such information. Landed properties could change owners, senatorial estates often passed into the possession of the emperors, which is much better researched. Important questions relate to continuity of ownership within a family and to the circumstances of changes of possession. In this context, I also discuss how the senators came to their property. Especially in the case of senators from other parts of the Roman Empire, the question arises as to why and how they acquired landed property in Asia Minor.
正如小普林尼所强调的那样,帝国时期罗马元老院的财富和财产主要是土地财产。3、19日8)。它主要是铭文文件,给我们提供了关于元老院土地所有权的位置和有时范围的信息。特别是在小亚细亚,有大量的证据,Helmut Halfmann在1979年已经汇编了相当多的证据。从那时起,许多新的证词被发现和发表。除此之外,还可以补充先前公布的证据,证明原籍不在小亚细亚的元老拥有土地。然而,对整个小亚细亚元老院土地所有权的系统研究尚未出现。& # x0D;本文为这一研究提供了一些提示。因此,我概述了小亚细亚元老院土地所有权的范围、分布和背景。很少有像Magnesia的土地登记簿(I.Magnesia 122, c2)那样清楚地表明这一属性。通常只有不同铭文的组合才能确认元老院地主的身份。因此,我概述了如何从这些信息中获得可靠结果的方法指南。地产可以换主,元老院的地产通常归皇帝所有,这方面的研究更深入。重要的问题涉及家庭所有权的连续性以及财产变更的情况。在此背景下,我也讨论了元老们是如何来到他们的财产的。特别是对于来自罗马帝国其他地区的元老们来说,他们为什么以及如何在小亚细亚获得土地的问题就产生了。
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引用次数: 0
Kalinda’dan Hellenistik Dönem Amphora Mühürleri 卡林达出土的希腊时期双耳瓶印章
Q1 Arts and Humanities Pub Date : 2023-09-25 DOI: 10.37095/gephyra.1362218
Erkan DÜNDAR
This article analyzes twenty-six amphora stamps found during the excavations at the ancient city of Kalynda in 2022-2023. Twenty are identified as being of Rhodian origin, five are from Knidos, and one is unidentified. These finds not only contribute to our understanding of the Hellenistic history of the settlement but also provide some new information on the distribution and statistics of stamped amphora handles in southwestern Asia Minor. The quantity of stamped amphora handles found in Kalynda during a brief excavation period suggests that the settlement engaged in commercial relations with neighboring regions in the Hellenistic era. About 85% of the stamps found relate to the 3rd century BC, verifying the locality’s situation on a bustling trade path as backed by epigraphic documents and literary sources. These connections indicate an important relationship between Kalynda and the Ptolemaic administration.
本文对2022-2023年在卡林达古城发掘中发现的26枚双耳罐邮票进行了分析。20个被确定为罗得斯起源,5个来自克尼多斯,一个身份不明。这些发现不仅有助于我们了解该聚落的希腊化历史,而且还为小亚细亚西南部印有双耳罐手柄的分布和统计提供了一些新的信息。在短暂的挖掘期间,在卡林达发现了大量刻印的双耳罐手柄,这表明该定居点在希腊化时代与邻近地区有商业关系。发现的邮票中约有85%与公元前3世纪有关,根据碑文文件和文献资料,证实了该地区在繁忙的贸易道路上的情况。这些联系表明了凯琳达和托勒密政府之间的重要关系。
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引用次数: 0
Kuşadası'ndaki Ilıcatepe'nin Kyklopien Duvarları Üzerine Düşünceler 对库萨达西伊勒卡特佩独眼巨人墙的思考
Q1 Arts and Humanities Pub Date : 2023-09-21 DOI: 10.37095/gephyra.1284559
Suat ATEŞLİER
Ilıcatepe, located right on the edge of the Kuşadası-Davutlar modern highway, covers an area of 540x315 meters and consists of limestone bedrock with a height of about 50 meters, and is surrounded by a wall built with Cyclopic stonework, which is understood to have been cut from its own bedrock. This masonry, which is not very common to see in Western Anatolia, attracted the attention of researchers who came to the hill, and some researchers suggested that the wall may belong to the 2nd millennium BC. The strategic importance of this hill, which is located on the slope of Mykale, which is considered by many researchers as Arinnanda, and 4 km away from Kadıkalesi, cannot be ignored. Although the walls built with monumental stones in Western Anatolia are generally approached with suspicion, considering the findings in the researches made in Caria in recent years, similar masonry known to exist in mainland Greece, Crete, Aegean Islands and Central Anatolia can be found in Western Anatolia. It is very natural to come across. Although the walls built with monumental stones in the Archaic Period are known in Western Anatolia, the juxtaposition of the stones, the filling of the gaps between the stones, and the differences in the type and material of the masonry tools used help in the dating of the walls. Historical events in the immediate vicinity of Ilıcatepe increase the strategic importance of the hill. The expedition organised by the Hittite king Murshili II (1322-1298 BC) against the Arzawa Country in Western Anatolia is very important in terms of our knowledge of the geography of the region. In the third year of his reign after becoming the Hittite king, Murshili II marched on Arzawa on the pretext of the non-return of the Hattian refugees who fled from the Hittite lands to the Arzawa Kingdom. At that time, Uhhaziti was at the head of the Arzawa Kingdom. The route of Murshili II during the said campaign started from the land of Hatti and ended in the country of Arzawa and the Aegean coast. The Hittite army under the command of Murshili II followed certain routes and arrived at its final destination, Mount Arinnanda. Based on the king's account of this campaign, it is understood that some of the Arzawans fled to the Aegean islands before the Hittite army arrived. The records indicate that those who did not flee to the Aegean islands ascended Mount Arinnanda, took refuge in Puranda, which is understood to be a fortified centre, and prepared for war there. The passages in which Murshili II describes his struggle with those who fled to Mount Arinnanda are quite remarkable.
Ilıcatepe位于Kuşadası-Davutlar现代高速公路的边缘,占地540 × 315米,由石灰石基岩组成,高度约为50米,周围环绕着一堵用独眼石雕成的墙,据了解,这堵墙是从自己的基岩上凿下来的。这种砖石结构,在安纳托利亚西部并不常见,吸引了来到山上的研究人员的注意,一些研究人员认为这堵墙可能属于公元前2000年。这座山位于Mykale的斜坡上,被许多研究人员认为是Arinnanda,距离Kadıkalesi有4公里,其战略重要性不容忽视。尽管人们对西安纳托利亚用纪念碑砌成的城墙普遍持怀疑态度,但考虑到近年来在卡里亚的研究发现,在西安纳托利亚可以找到类似的砖石,这些砖石已知存在于希腊大陆、克里特岛、爱琴海群岛和安纳托利亚中部。这是很自然的。尽管在安纳托利亚西部,人们知道用古代时期的纪念性石头建造的城墙,但石头的并列、石头之间空隙的填充物,以及所使用的砖石工具的类型和材料的差异,都有助于确定城墙的年代。Ilıcatepe附近的历史事件增加了这座山的战略重要性。赫梯国王穆尔西利二世(公元前1322-1298年)组织的对安纳托利亚西部阿尔扎瓦国的远征对我们了解该地区的地理知识非常重要。在他成为赫梯国王后的第三年,穆尔西利二世以不让从赫梯土地逃到阿尔扎瓦王国的哈田难民返回为借口,向阿尔扎瓦进军。当时,乌哈兹提是阿尔扎瓦王国的首领。在上述战役中,穆尔西利二世的路线从哈提地开始,结束于阿尔扎瓦国和爱琴海海岸。在穆尔希利二世的指挥下,赫梯军队沿着一定的路线到达了最终目的地——阿瑞南达山。根据国王对这次战役的描述,可以理解,在赫梯军队到达之前,一些阿尔扎瓦人逃到了爱琴海岛屿。记录表明,那些没有逃到爱琴海岛屿的人登上了阿林南达山,在普朗达避难,那里被认为是一个防御中心,并在那里准备战争。穆尔西利二世描述他与那些逃到阿里南达山的人的斗争的段落相当引人注目。
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引用次数: 0
In the Eye of the Lion: Iconological Observations on Frontal Depictions of Lions on Ancient Coins 在狮子的眼中:对古钱币正面狮子描绘的符号学观察
Q1 Arts and Humanities Pub Date : 2023-09-21 DOI: 10.37095/gephyra.1252079
Florian HAYMANN
This article provides an overview of the most important coin types depicting frontal lions from the Greek Archaic period to the first century BC. The spear-biting lions are not included in this paper as they form the subject of a separate study. Starting from the ancient written tradition, explanations are offered based on the effect of the lion’s gaze, which is repeatedly mentioned in ancient texts. With the addition of the respective reverses and modes of representation, it is possible to identify references to religious cults: Apollo, Artemis, Athena, Hera and Heracles. But rulers also used frontal lion images for specific purposes. To express the solar aspect of Apollo, frontality seemed the most appropriate. A particularly close connection between the lion and Loxías has been demonstrated for Rhegion. The example of Samos shows that an autocrat could choose the emblem of a “frontal lion’s head” – probably also to suggest solar qualities. Under Achaemenid influence however, the lion regularly became the victim of the ruler – albeit a particularly dangerous and fearsome one, which was emphasised through its frontality. The same goes for Lysimachus, whose choice of image is astonishingly close to Pliny’s reflex, which focuses entirely on the lion’s sight. It is also shown that lion masks are often associated with the deeds of Heracles, which also gave rise to other coin images in which the use of frontality brought special nuances of meaning, for example the illustration of special effort or a narrative connection between two coin images. In one case, a frontal lion leaping out of a rectangle was associated with the cult of Athena. Another group of frontal lions may have had an apotropaic-demonic character, mainly conveyed by the eyes fixed on the observer. Here we can see a connection with the Gorgoneion. As for the frequent image of devouring lions, a biblical source suggests that the animals were particularly irritable and dangerous during this process. Finally, it was recommended that lions and leopards should be carefully separated, with leopards being particularly suitable for depicting the ‘man-destroying’ god Dionysus in frontal perspective.
本文概述了从古希腊时期到公元前一世纪描绘正面狮子的最重要的硬币类型。咬矛狮子不包括在这篇论文中,因为它们构成了一个单独研究的主题。从古代的文字传统出发,根据狮子凝视的效果提供解释,这在古代文献中被反复提到。加上各自的反面和表现方式,就有可能识别出对宗教崇拜的参考:阿波罗、阿尔忒弥斯、雅典娜、赫拉和赫拉克勒斯。但统治者也使用正面狮子图像用于特定目的。为了表达阿波罗的太阳面,正面似乎是最合适的。狮子和Loxías之间特别密切的联系已经被证明是雷金的。萨摩斯的例子表明,独裁者可以选择“正面狮子头”的标志——可能也暗示了太阳的特质。然而,在阿契美尼德的影响下,狮子经常成为统治者的牺牲品——尽管它是特别危险和可怕的,这一点通过它的正面来强调。吕西马科斯也是如此,他选择的图像与普林尼的反射惊人地接近,后者完全集中在狮子的视线上。研究还表明,狮子面具经常与赫拉克勒斯的事迹联系在一起,这也导致了其他硬币形象的出现,其中正面的使用带来了特殊的细微差别,例如特别努力的说明或两个硬币形象之间的叙事联系。在一个案例中,一头正面的狮子从一个长方形中跳出来与对雅典娜的崇拜有关。另一组正面的狮子可能有一种远离恶魔的特征,主要是通过盯着观察者的眼睛来传达的。在这里,我们可以看到它与山楂花的联系。至于经常出现的吞食狮子的形象,圣经资料表明,在这个过程中,这些动物特别易怒和危险。最后,有人建议狮子和豹子应该小心地分开,豹子特别适合描绘“毁灭人类”的狄俄尼索斯神的正面视角。
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引用次数: 0
Termessos’taki Pamphyliarkhlar ve Pamphylia’daki Roma Valileri İçin Epigramlar. Öncelik ve Onurlar 为特梅索斯的帕姆菲利亚首领和帕姆菲利亚的罗马总督撰写的书信。优先权和荣誉
Q1 Arts and Humanities Pub Date : 2023-09-08 DOI: 10.37095/gephyra.1321119
Héctor ARROYO-QUİRCE
The use of epigrams on stone during the Late Empire to honour important individuals, whether Roman officials or local benefactors, is a well-known phenomenon, although little explored to elucidate questions of political and institutional history, especially tricky due to the poetic nature of the material. In this field of study, the present work is focused on two epigrams from the Pisidian city of Termessos honouring Pamphyliarchs with the expressions ψῆφος Παμφύλων and γῆς κάρα Παμφύλων. After briefly reviewing the historical links of Termessos with Pamphylia, the main objective is to analyse these expressions as poetic allusions to the honorific title πρῶτος, used in the epigraphy of Asia Minor during the Roman period to designate individual primacy. The last section highlights similarities with two other epigrams from the cities of Perge and Attaleia in Pamphylia in honour of Roman governors, while discussing their identity and the title πιστή of the city of Side.
在罗马帝国晚期,人们在石头上使用警句来纪念重要人物,无论是罗马官员还是当地的捐助者,这是一个众所周知的现象,尽管很少有人探讨政治和制度历史问题,特别是由于材料的诗意性质而变得棘手。在这一研究领域,目前的工作集中在来自皮西蒂亚城市Termessos的两句警句上,这两句警句用ψ ι φος Παμφύλων和γ ι ς κ ρα Παμφύλων来表达对潘菲利亚的敬意。在简要回顾了特尔梅索斯与旁菲利亚的历史联系之后,主要目的是分析这些表达作为对罗马时期小亚细亚铭文中用来表示个人首要地位的敬称πρ ρ τος的诗歌典故。最后一节强调了这两句警句的相似之处,这两句警句来自旁菲利亚的佩尔格和阿塔莱亚,用来纪念罗马总督,同时讨论了它们的身份和塞德城的πιστή。
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引用次数: 0
Physiognomy and Geosophy of Pergamon according to Aelius Aristeides 埃利乌斯·阿里斯蒂德所著的帕加马的地貌和地理
Q1 Arts and Humanities Pub Date : 2023-08-25 DOI: 10.37095/gephyra.1300441
Murat TOZAN
Geographical depictions in ancient texts are often personal, biased, subjective, and sometimes imaginative. Therefore, the concept of geosophy coined by J. Kirtland Wright is important in terms of examining the geographical narratives and expressions in historical texts. According to him, geosophy is the study of geographical information in all respects and covers both true and false geographical ideas of all manner of people. Hence, Wright emphasizes that intuitive, imaginative and subjective thoughts are also valuable in geographical perception and should be taken into consideration. Examining all kinds of information related to the geographical perception in the texts from past to present brings the concept of geosophy closer to history as a discipline. In this study, physiognomic and geographical definitions of Aelius Aristeides, an orator and sophist of the 2nd century CE, about Pergamon, which is the most important ancient settlement of Kaikos Valley, and its surroundings are examined in terms of geosophical subjectivity and imagining categories. Thus, it is revealed that the examination of the narratives of ancient texts on terrestrial space from the geosophical point of view can offer new perspectives in studies on ancient history and historical geography.
古代文献中对地理的描述往往是个人的、有偏见的、主观的,有时还充满想象力。因此,科特兰·赖特提出的地理哲学概念对于考察历史文本中的地理叙事和地理表达具有重要意义。在他看来,地理哲学是对各个方面的地理信息的研究,涵盖了各种各样的人的正确和错误的地理观念。因此,赖特强调直觉、想象和主观思维在地理感知中也很有价值,应该加以考虑。从过去到现在的文本中考察与地理感知有关的各种信息,使地哲学的概念更接近历史作为一门学科。在这项研究中,埃利乌斯·阿里斯蒂德斯,公元2世纪的演说家和诡辩家,关于佩加蒙,这是凯科斯山谷最重要的古代定居点,及其周围地区的地貌和地理定义,在地球学主观性和想象范畴方面进行了检查。因此,从地学的角度考察古代文献对陆地空间的叙述,可以为古代史和历史地理学的研究提供新的视角。
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引用次数: 0
The Power of Zeus Bronton: Notes on a New Miracle Narrative 宙斯·布朗顿的力量:一种新的奇迹叙事注释
Q1 Arts and Humanities Pub Date : 2023-08-24 DOI: 10.37095/gephyra.1328137
Jan-mathieu CARBON
N. Eda Akyürek Şahin and Hüseyin Uzunoğlu have recently published an interesting dedication to Zeus Bronton from the 2nd-3rd c. AD in this journal (Gephyra 23, 2022, 119-120 no. 19, with phs.). Following an attempt to further elucidate the text, this inscription is here identified as a narrative account of the power of Zeus Bronton. While the inscription finds a place in a growing number of documents about the worship of this god in Phrygia Epiktetos, it also reveals important parallels with the so-called “confession stelai” from Lydia. More broadly, the text is to be situated within a wider genre of miracle narrative—aretalogy or eulogy—that is particularly prominent in the epigraphic evidence from Anatolia.
N. Eda aky rek Şahin和h seyin Uzunoğlu最近在该杂志上发表了一篇有趣的关于公元2 -3世纪宙斯·布朗顿的献词(Gephyra 232,2022, 119-120号)。19, with phs.)。在试图进一步阐明文本之后,这个铭文在这里被确定为宙斯·布朗顿力量的叙述。尽管在《弗里吉亚史诗》中,关于这位神的崇拜的文献越来越多,但它也揭示了与吕底亚所谓的“忏悔石碑”的重要相似之处。更广泛地说,文本是位于一个更广泛的类型的奇迹叙事- aretalogy或悼词-这是特别突出的铭文证据从安纳托利亚。
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