孔多布楞民间戏剧:布吉斯-望加锡沿海社区社会文化认同的表现

Asia Ramli, Suminto Suminto
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引用次数: 2

摘要

对于泰鲁克骨的巴霍族来说,名为Kondobuleng的民间戏剧在其起源地已不再为人所知。然而,这种戏剧在Pangkajene和岛屿上发现,被称为一种舞蹈。由于Sanggar Seni I Lolo Gading经常在各种活动和节日中表演,该剧院甚至在Paropo村,Panakung街道和望加锡市作为民间戏剧表演而闻名。本研究旨在描述和分析布吉斯-望加锡沿海社区民间戏剧“Kondobuleng”在表演中的社会文化认同表现。与研究重点相关,研究背景为望加锡Panakukang区的Paropo村。本研究采用文化研究方法和定性分析方法。研究结果表明,在Sanggar Seni I Lolo Gading Paropo表演的Kondobuleng民间戏剧中,布吉-望加锡沿海社会的社会文化认同通过手语、场景、对话、角色、服装、财产、音乐和歌曲等系统得到体现。
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Kondobuleng Folk Theater : Representation of Socio-cultural Identity of Bugis-Makassar Coastal Communities
For the Bajo ethnic group in Teluk Bone, the folk theater named Kondobuleng is no longer known in its place of origin. However, this theater is found in Pangkajene and the Islands and is known as a dance. This theater is even well known as a folk theater performance in Paropo Village, Panakung Subdistrict, and Makassar City, because it is often performed by Sanggar Seni I Lolo Gading at various events and festivals. This study aims to describe and analyze the folk theater focusing on the representation of socio-cultural identity in the coastal communities of Bugis-Makassar in the performance of the folk theater Kondobuleng. Related to the focus of the study, the research background is Paropo Village of the Panakukang District, Makassar. This research used cultural approach with a qualitative analysis method. The results of the research show that the socio-cultural identity in Bugis-Makassar coastal society is represented in the Kondobuleng folk theater performed by Sanggar Seni I Lolo Gading Paropo through a system of sign language, scene, dialogue, character, costume, property, music, and song.
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