尤尼电影海报设计的父权制和文化神话

Ade Kusuma, Windri Saifudin, M. Q. Fittron
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引用次数: 0

摘要

. 海报是电影人用来宣传他们即将推出的电影作品的宣传媒体之一。海报上有图像和文本元素,它们由标题、副标题、字幕和其他符号组成。在2021年举行的第十届Piala Maya活动上,Yuni在影院放映的电影海报获得了海报设计类别的奖项。本研究旨在通过颜色选择、排版、照片和布局平衡来探讨Yuni电影海报所要传达的信息。本研究采用查尔斯·桑德斯·皮尔斯的符号学方法,参照三角意义理论进行定性描述性研究。研究人员分析了符号、对象和解释者之间的关系。本研究解释了电影海报是用来吸引观众的注意力,并向潜在观众提供关于电影故事的指导。在尤尼的电影海报中,研究人员找到了主人公的线索,她被父权和关于印尼女性的传统文化神话所束缚。
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Kuasa Patriarki dan Mitos Budaya Pada Desain Poster Film Yuni
. A poster is one of the promotional media used by filmmakers to promote their upcoming film work. There are image and text elements on a poster, which consist of titles, subtitles, credit titles, and other symbols. Yuni's film poster, shown in theaters, won the selected poster design category at the 10th Piala Maya event held in 2021. This study aims to examine the meaning of the message displayed by Yuni's film poster through color choices, typography, photos, and layout balance. This research is a qualitative descriptive study using Charles Sanders Peirce's semiotic approach, referring to the triangle theory of meaning. Researchers analyzed the relationship between the sign, object, and interpretant. This study explains that a film poster is used to attract attention and provide instructions to potential audiences about the film's story. In Yuni's film poster, researchers find clues about the main character, shackled to patriarchal power and traditional cultural myths about Indonesian women.
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