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引用次数: 0

摘要

由于语义功能现实的特殊性,语言学对“小”范畴定义的看法十分矛盾,尚未形成“小”范畴的定义,这就决定了本文的相关性。本研究旨在探讨诗歌翻译中“小”现象的翻译特殊性。为了达到这一目的,我们使用了连续抽样法来研究资料,比较法来比较原文和译文,翻译分析法和理论概括法。我们认为,“小”是一种普遍的语言范畴,在世界语言中使用不同层次的语言结构来表达,实现物体尺寸缩小的意义,一个动作或符号的缩小表现,也可能伴随着一些表达性或评价性的情感模式。通过对塔拉斯·舍甫琴科诗歌原文与英译的对比分析,发现在英译中,小人称的情感成分得到了再现或中和。再现小词情感成分的技巧包括替代和加法;中和的技巧有:省略,选择直接翻译的等价物,添加。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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ON THE ISSUE OF DEFINING THE CATEGORY OF DIMINUTIVENESS
The analysis of the phenomenon of diminutiveness and its derivatives presents significant difficulties for the researchers because the views of linguistics on the definition of category of diminutiveness due to the peculiarities of the semantic-functional reality of it are extremely contradictory and its definition is still not set, which determines the relevance of the paper. The objective of the study is to establish the specificity of translation of the phenomenon of diminutiveness in poetic translation. To achieve this goal the continuous sampling method to research materials, the comparative method to compare the original and translated texts, the translation analysis method and the theoretical generalizations method were used. It was determined that diminutiveness is a universal linguistic category that is expressed in the languages of the world using different levels of the language structure and realizes the meaning of a reduced size of an object, a reduced manifestation of an action or sign, and may also be accompanied by some expressive or evaluative-emotional patterns. As a result of a comparative analysis of the original poetry of Taras Shevchenko with its translations into English, it was found that the emotional component of diminutives is reproduced or neutralized in the translation. Techniques that reproduce the emotional component of diminutives include substitution and addition; techniques that neutralize are following: omission, selection of a direct translation equivalent, addition.
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