{"title":"图像，刀和胶锅:手稿和印刷品的早期组合","authors":"D. Heath","doi":"10.1080/03096564.2019.1681058","DOIUrl":null,"url":null,"abstract":"Some years ago, Elsa Strietman reviewed Jane Fenoulhet’s book, Making the Personal Political: Dutch Women Writers 1919–1970 for Dutch Crossing and described it as ‘brave’ (Dutch Crossing: Journal o...","PeriodicalId":41997,"journal":{"name":"Dutch Crossing-Journal of Low Countries Studies","volume":"44 1","pages":"119 - 122"},"PeriodicalIF":0.4000,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"7","resultStr":"{\"title\":\"Image, Knife, and Gluepot: Early Assemblage in Manuscript and Print\",\"authors\":\"D. Heath\",\"doi\":\"10.1080/03096564.2019.1681058\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Some years ago, Elsa Strietman reviewed Jane Fenoulhet’s book, Making the Personal Political: Dutch Women Writers 1919–1970 for Dutch Crossing and described it as ‘brave’ (Dutch Crossing: Journal o...\",\"PeriodicalId\":41997,\"journal\":{\"name\":\"Dutch Crossing-Journal of Low Countries Studies\",\"volume\":\"44 1\",\"pages\":\"119 - 122\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2020-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"7\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Dutch Crossing-Journal of Low Countries Studies\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1080/03096564.2019.1681058\",\"RegionNum\":3,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Dutch Crossing-Journal of Low Countries Studies","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/03096564.2019.1681058","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
Image, Knife, and Gluepot: Early Assemblage in Manuscript and Print
Some years ago, Elsa Strietman reviewed Jane Fenoulhet’s book, Making the Personal Political: Dutch Women Writers 1919–1970 for Dutch Crossing and described it as ‘brave’ (Dutch Crossing: Journal o...
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