路西塔尼亚加利西亚雕像在一站位置的空间分布,地点和相关的碑文

Sergio Ríos González
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摘要

战士雕像是伊比利亚半岛西北部卡斯特罗文化最突出的例子之一。在这一类别中,值得注意的是一系列描绘相同图像主题的雕塑:站着的男性,直视前方,在前面拿着盾牌。本文是对石刻的整体研究的第一部分,研究了石刻的分布和位置,以及其中一些石刻的铭文。我们的分析表明,这些雕塑作品并不是到处都有,而是在老修道院的一些特定地点发现的。这些地点大多数与异质住区有关,但有些地点不能与有人居住的地区有关。在后一种情况下,雕塑可以与领土的关键点(十字路口,山丘,相关的栅栏等)联系起来。最后,雕刻的铭文似乎与相应的雕塑同时出现,因此这是了解这种独特的战士雕像年代的重要线索。
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Las Estatuas Galaico Lusitanas en posición de parada I. Distribución espacial, emplazamientos y epigrafia asociada
The statues of warriors are one of the most prominent examples of the Castro culture in the northwest of the Iberian Peninsula. Notable in this category is a series of sculptures depicting the same iconographic motif: standing male, looking straight ahead, carrying a shield on the front. This paper, which is the first part of an integral research about this sculptures, studies their distribution and location as well as the inscriptions that are carved in some of them. Our analysis shows that these sculptural pieces are not found everywhere but in some specific sites within the old conventus bracarensis territory. Most of those locations are associated to heterogeneous settlements, but some others cannot be associated to inhabited areas. In this latter case, the sculptures could have been linked to key points in the territory (crossroads, hills, relevant piks, etc). Finally, engraved inscriptions seem concurrent with their corresponding sculptures, so this is a significant clue for the chronology of this unique statues of warriors.
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