{"title":"论普罗科波维奇的《不为人知的历史作品》","authors":"A. I. Alekseev","doi":"10.21638/spbu02.2022.417","DOIUrl":null,"url":null,"abstract":"The article introduces a previously unknown text of the Genealogy of Russian Sovereigns from the collections of the Department of Manuscripts of the Russian National Library, which contains the engraving program of A. F. Zubov’s “Portrait of Catherine I surrounded by medallions with portraits of Russian princes and tsars” of 1725. It also reveals the source of this “Genealogy” in the form of a historical and genealogical introduction to the anonymous “History of Peter the Great”, in which Peter is presented the “fifty-sixth” ruler of Russia descending from Rurik. The process of textological research has enabled to establish a connection between these sources and the “Genealogy of Russian Sovereigns” compiled by Feofan Prokopovich, which contained 34 signature texts for P. Pikart’s engraving “Peter I in the genealogy”. The results of the study allow us to attribute both discovered monuments to Feofan Prokopovich. The research also defines that one of the most important means of legitimizing the power of a female ruler was the likening of Empress Catherine to Grand Duchess Olga. As a result of the study of the anonymous “History of Peter the Great”, a number of works by Feofan Prokopovich have been identified in its text. An examination of the lists of the anonymous history of Peter in the collections of the National Library of Russia as well as comparison between these texts and the works of Feofan Prokopovich enable to substantiate the hypothesis about the authorship of F. Prokopovich regarding this compilation history.","PeriodicalId":53995,"journal":{"name":"Vestnik Sankt-Peterburgskogo Universiteta-Istoriya","volume":"1 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"On the Unknown Historical Work by Feofan Prokopovich\",\"authors\":\"A. I. Alekseev\",\"doi\":\"10.21638/spbu02.2022.417\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article introduces a previously unknown text of the Genealogy of Russian Sovereigns from the collections of the Department of Manuscripts of the Russian National Library, which contains the engraving program of A. F. Zubov’s “Portrait of Catherine I surrounded by medallions with portraits of Russian princes and tsars” of 1725. It also reveals the source of this “Genealogy” in the form of a historical and genealogical introduction to the anonymous “History of Peter the Great”, in which Peter is presented the “fifty-sixth” ruler of Russia descending from Rurik. The process of textological research has enabled to establish a connection between these sources and the “Genealogy of Russian Sovereigns” compiled by Feofan Prokopovich, which contained 34 signature texts for P. Pikart’s engraving “Peter I in the genealogy”. The results of the study allow us to attribute both discovered monuments to Feofan Prokopovich. The research also defines that one of the most important means of legitimizing the power of a female ruler was the likening of Empress Catherine to Grand Duchess Olga. As a result of the study of the anonymous “History of Peter the Great”, a number of works by Feofan Prokopovich have been identified in its text. An examination of the lists of the anonymous history of Peter in the collections of the National Library of Russia as well as comparison between these texts and the works of Feofan Prokopovich enable to substantiate the hypothesis about the authorship of F. Prokopovich regarding this compilation history.\",\"PeriodicalId\":53995,\"journal\":{\"name\":\"Vestnik Sankt-Peterburgskogo Universiteta-Istoriya\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Vestnik Sankt-Peterburgskogo Universiteta-Istoriya\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21638/spbu02.2022.417\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Vestnik Sankt-Peterburgskogo Universiteta-Istoriya","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21638/spbu02.2022.417","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 0
摘要
这篇文章介绍了俄罗斯国家图书馆手稿部收藏的一篇以前不为人知的《俄罗斯君主家谱》,其中包含了a . F. Zubov 1725年的《叶卡捷琳娜一世的肖像被刻有俄罗斯王子和沙皇肖像的大奖章包围》的雕刻程序。它还以匿名的“彼得大帝史”的历史和系谱介绍的形式揭示了这种“家谱”的来源,其中彼得是俄罗斯的“第五十六”统治者,从留里克降下来。考据学研究的过程使这些来源与Feofan Prokopovich编写的“俄罗斯君主谱系”之间建立了联系,其中包含了P. Pikart雕刻的34个签名文本“族谱中的彼得一世”。这项研究的结果使我们能够将这两个发现的遗迹归为费奥凡·普罗科维奇。该研究还指出,将凯瑟琳皇后比作奥尔加大公夫人,是使女性统治者权力合法化的最重要手段之一。通过对这本匿名的《彼得大帝的历史》的研究,费奥芬·普罗科波维奇的一些作品在其文本中得到了确认。通过对俄罗斯国家图书馆收藏的《彼得的匿名历史》列表的研究,以及将这些文本与Feofan Prokopovich的作品进行比较,可以证实关于F. Prokopovich对这一编撰历史的作者身份的假设。
On the Unknown Historical Work by Feofan Prokopovich
The article introduces a previously unknown text of the Genealogy of Russian Sovereigns from the collections of the Department of Manuscripts of the Russian National Library, which contains the engraving program of A. F. Zubov’s “Portrait of Catherine I surrounded by medallions with portraits of Russian princes and tsars” of 1725. It also reveals the source of this “Genealogy” in the form of a historical and genealogical introduction to the anonymous “History of Peter the Great”, in which Peter is presented the “fifty-sixth” ruler of Russia descending from Rurik. The process of textological research has enabled to establish a connection between these sources and the “Genealogy of Russian Sovereigns” compiled by Feofan Prokopovich, which contained 34 signature texts for P. Pikart’s engraving “Peter I in the genealogy”. The results of the study allow us to attribute both discovered monuments to Feofan Prokopovich. The research also defines that one of the most important means of legitimizing the power of a female ruler was the likening of Empress Catherine to Grand Duchess Olga. As a result of the study of the anonymous “History of Peter the Great”, a number of works by Feofan Prokopovich have been identified in its text. An examination of the lists of the anonymous history of Peter in the collections of the National Library of Russia as well as comparison between these texts and the works of Feofan Prokopovich enable to substantiate the hypothesis about the authorship of F. Prokopovich regarding this compilation history.