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引用次数: 0

摘要

下面的文章是Tadeusz Kudliński发表在“Ilustrowany Kurier Codzienny”(1936-37)上的一系列文章的回顾。在评论家的支持下,“戏剧戏剧”深受读者,尤其是年轻剧作家的欢迎。克拉科夫“剧院人”的文章在新闻界引起了热烈的讨论,而创建39号工作室的倡议可以看作是其后果。与之前关于“封沙”争端最终结论的保证相反,Kudliński在该系列最后一部分出版九个月后再次讨论这个话题,他的文章“Przemówił dziad do obrazu”引起了Tadeusz Boy-Żeleński的回应。因此,关于这些文章的整个讨论,以及由他们的灵魂所带来的戏剧主动性,以出版的三篇争论不休的文本结束,这些文本的主角出乎意料地成为了一句古老的波兰谚语的英雄。
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„Przemówił dziad do obrazu” – historia pewnej polemiki
The following paper is a recollection of a series of articles by Tadeusz Kudliński, published in ”Ilustrowany Kurier Codzienny” (1936–37). “Teatralne mielizny” were very popular with readers, especially young playwrights, supported by the critic. The articles written by the Cracow „teatrał” (theatre man) aroused a heated discussion in the press, and the initiative to create Studio 39 can be regarded as its aftermath. Contrary to previous assurances concerning the final conclusion of the ”sandback” dispute, Kudliński took up the topic again nine months after the publication of the last part of the series, and his text “Przemówił dziad do obrazu” provoked the response by Tadeusz Boy-Żeleński. Thus, the whole discussion on the articles, as well as the theatre initiative brought to life by their soul, ends with three polemical texts, published in press, whose main character has, unexpectedly, become the hero of an old Polish proverb.
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