克尔凯郭尔的戏剧观与当代戏剧理论的“持续参照”

IF 0.2 0 PHILOSOPHY Kierkegaard Studies Yearbook Pub Date : 2022-07-14 DOI:10.1515/kierke-2022-0008
A. Nagy
{"title":"克尔凯郭尔的戏剧观与当代戏剧理论的“持续参照”","authors":"A. Nagy","doi":"10.1515/kierke-2022-0008","DOIUrl":null,"url":null,"abstract":"Abstract There are several reasons to explore the role theater played in the life of Søren Kierkegaard and in the inspiration for his works. There are probably more reasons to analyze the role Kierkegaard played for theater, both as a source of inspiration and as a thinker reflecting on different facets of drama, performance, and acting. In the present study I focus on the diversity and complexity of Kierkegaard’s views on theater to elaborate on the possible connections and types of influence he exercised on stage artists and theorists, shaping our contemporary theater theories. Approaches include literature, philosophy, theology, staging, acting, audience, and the history of theater, both in Kierkegaard’s times and later.","PeriodicalId":53174,"journal":{"name":"Kierkegaard Studies Yearbook","volume":"46 1","pages":"141 - 173"},"PeriodicalIF":0.2000,"publicationDate":"2022-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Kierkegaard’s View on Theater “with Continual References” to Contemporary Theater Theories\",\"authors\":\"A. Nagy\",\"doi\":\"10.1515/kierke-2022-0008\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract There are several reasons to explore the role theater played in the life of Søren Kierkegaard and in the inspiration for his works. There are probably more reasons to analyze the role Kierkegaard played for theater, both as a source of inspiration and as a thinker reflecting on different facets of drama, performance, and acting. In the present study I focus on the diversity and complexity of Kierkegaard’s views on theater to elaborate on the possible connections and types of influence he exercised on stage artists and theorists, shaping our contemporary theater theories. Approaches include literature, philosophy, theology, staging, acting, audience, and the history of theater, both in Kierkegaard’s times and later.\",\"PeriodicalId\":53174,\"journal\":{\"name\":\"Kierkegaard Studies Yearbook\",\"volume\":\"46 1\",\"pages\":\"141 - 173\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-07-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Kierkegaard Studies Yearbook\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/kierke-2022-0008\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"PHILOSOPHY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Kierkegaard Studies Yearbook","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/kierke-2022-0008","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
引用次数: 0

摘要

探讨戏剧在克尔凯郭尔一生中所扮演的角色及其作品的灵感来源是有原因的。也许有更多的理由来分析克尔凯郭尔在戏剧中所扮演的角色,既是灵感的源泉,也是对戏剧、表演和表演的不同方面进行反思的思想家。在本研究中,我将重点放在克尔凯郭尔关于戏剧观点的多样性和复杂性上,以阐述他对舞台艺术家和理论家的可能联系和影响类型,从而塑造我们当代的戏剧理论。研究方法包括文学、哲学、神学、舞台、表演、观众以及克尔凯郭尔时代和之后的戏剧史。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Kierkegaard’s View on Theater “with Continual References” to Contemporary Theater Theories
Abstract There are several reasons to explore the role theater played in the life of Søren Kierkegaard and in the inspiration for his works. There are probably more reasons to analyze the role Kierkegaard played for theater, both as a source of inspiration and as a thinker reflecting on different facets of drama, performance, and acting. In the present study I focus on the diversity and complexity of Kierkegaard’s views on theater to elaborate on the possible connections and types of influence he exercised on stage artists and theorists, shaping our contemporary theater theories. Approaches include literature, philosophy, theology, staging, acting, audience, and the history of theater, both in Kierkegaard’s times and later.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.20
自引率
0.00%
发文量
0
期刊最新文献
“My Dear Reader—but to Whom Am I Speaking?” Kierkegaard Read with the Rhetorical Theory of Narrative “Forgiveness is forgiveness:” Kierkegaard’s Spiritual Acoustics Kierkegaard and Religionswissenschaft: A Source- and Reception-Historical Survey (Part 2) Section 2:   Concepts and Problems in Kierkegaard The Kantian Sublime Reflected in the Kierkegaardian Sublime
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1