Pub Date : 2023-07-11DOI: 10.1515/kierke-2023-0002
Jared Highlen
Abstract In this paper I put forward a new interpretation of the “Exordium” and “Eulogy for Abraham” sections in Fear and Trembling. It reads them in tension, as mutually incompatible approaches to the biblical narrative of Abraham. I argue this tension is productive insofar as it reveals and critiques the failure of each section to respond to Abraham as a religious exemplar of faith. Drawing on the work of Paul Ricœur, I argue that this failure consists in the absence of the hermeneutical moment of refiguration, which takes up what is understood in the narrative in the lived experience of the reader. By enacting this irreconcilable contrast within his text, Silentio poses a hermeneutical critique of faith by highlighting the importance of narrative refiguration in the life of faith, that is, the lived experience of those who understand Abraham to be a religious exemplar.
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Pub Date : 2023-07-11DOI: 10.1515/kierke-2023-0013
Jon Stewart
Abstract Kierkegaard is well known for his quick wit and sharp polemics against his opponents. One of his favorite targets was the poet, dramatist, and philosopher, Johan Ludvig Heiberg (1791 – 1860). Perhaps the best-known element of his critique was Heiberg’s outspoken Hegelian campaign. Before Kierkegaard’s famous criticisms of Heiberg, he learned the craft of literary polemics by reading the lively discussions in the Danish journals of the time. In this article it is argued that the role of the journal Kjøbenhavnsposten for Kierkegaard has never been appreciated. This journal was edited by Andreas Peter Liunge (1798 – 1879), who was a great adversary of Heiberg and his Kjøbenhavns flyvende Post. The article shows that the often satirical use of Hegel by Kjøbenhavnsposten to criticize Heiberg anticipates Kierkegaard’s strategy of critique with regard to Heiberg and other figures in the Danish Hegelian movement.
克尔凯郭尔以其机敏的才智和对对手的尖锐辩论而闻名。他最喜欢的目标之一是诗人、剧作家和哲学家约翰·路德维格·海伯格(1791 - 1860)。也许他的批判中最著名的元素是海伯格直言不讳的黑格尔式运动。在克尔凯郭尔对海伯格的著名批评之前，他通过阅读当时丹麦期刊上的生动讨论，学会了文学辩论的技巧。本文认为，克尔凯郭尔的《本哈夫斯报》所扮演的角色从未得到重视。这本杂志是由Andreas Peter Liunge(1798 - 1879)编辑的，他是海伯格和他的Kjøbenhavns flyvende Post的劲敌。本文表明，克约本哈夫斯滕经常讽刺黑格尔来批评海伯格，这预示着克尔凯郭尔对海伯格和丹麦黑格尔运动中其他人物的批评策略。
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Pub Date : 2023-07-11DOI: 10.1515/kierke-2023-0009
Ville Hämäläinen
Abstract This article introduces a rhetorical theory of narrative in reading Kierkegaard, comparing Kierkegaard’s praxis to Phelan’s definition of “somebody telling somebody else that something happened on some occasion and for some purpose(s).” Use of pseudonyms problematizes “the somebody” telling and makes apparent the differing purposes of author and narrator. In the early authorship, the purpose is usually a life-view. The “something happened” may seem irrelevant in Kierkegaard, but it evokes questions of lived experience and life-view. The “occasion” for telling is textually mediated, and thus draws a novel connection to literary history. Finally, I examine Kierkegaard’s real and authorial readers.
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Pub Date : 2023-07-11DOI: 10.1515/kierke-2023-0008
Michael Strawser
Abstract How are we to understand the earnest thought of death as developed in Kierkegaard’s discourse “At a Graveside”? Through a careful examination of this signed writing, I shall argue that readers nevertheless encounter an indirect, un-authorized discourse, which presents the occasion for both a variety of moods and the cultivation of spirit. The thought of death calls forth either a certain negative mood or presents a call to action for the good. However, this distinction is problematic insofar as we consider the textuality of Kierkegaard’s discourse, which leaves existing individuals always caught in between the dialectic of mood and spirit.
{"title":"Between Mood and Spirit: Kierkegaard’s Conception of Death as the Teacher of Earnestness","authors":"Michael Strawser","doi":"10.1515/kierke-2023-0008","DOIUrl":"https://doi.org/10.1515/kierke-2023-0008","url":null,"abstract":"Abstract How are we to understand the earnest thought of death as developed in Kierkegaard’s discourse “At a Graveside”? Through a careful examination of this signed writing, I shall argue that readers nevertheless encounter an indirect, un-authorized discourse, which presents the occasion for both a variety of moods and the cultivation of spirit. The thought of death calls forth either a certain negative mood or presents a call to action for the good. However, this distinction is problematic insofar as we consider the textuality of Kierkegaard’s discourse, which leaves existing individuals always caught in between the dialectic of mood and spirit.","PeriodicalId":53174,"journal":{"name":"Kierkegaard Studies Yearbook","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81955959","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-11DOI: 10.1515/kierke-2023-0011
Mathias G. Parding
Abstract Occupying a seemingly minor role in the authorship of Kierkegaard, the concept of “the sublime” has not received much attention in the reception, compared to that of other more prominent concepts. This could essentially imply one of two things: either that the sublime is not an important theme for Kierkegaard, or that it is so pervasively present, that the reader does not know how to conceive it, let alone get a hold of a tangible definition of it. Proceeding from the latter assumption, this article expounds in what sense the sublime occupies a pivotal role in Kierkegaard’s philosophy mediating between the aesthetic and the religious sphere. Using the Kantian conceptual framework of the sublime as my continual point of reference, I wish to show how Kierkegaard both remains loyal to certain aspects of this heritage, and at the same time transports the sublime to an entirely new plateau. Setting the stage for a modern discourse of the sublime will enable us to see in what sense the sublime enters a central position in Kierkegaard’s philosophy, being the feeling that awakens the individual from his social immurement and propels him into his path of self-realization.
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Pub Date : 2023-07-11DOI: 10.1515/kierke-2023-0007
Jacob Farris
Abstract This paper argues for a Kierkegaardian account of personal identity in dialogue with MacIntyre, Korsgaard, Frankfurt, Ricœur, and Marion. I engage with the scholarly debate on Kierkegaard’s relationship to practical and narrative accounts of the self and argue that he criticizes the ideal of self-authorship because authentic selfhood must be co-authored with others and embedded in the narrative setting and history that is provided by facticity. Moreover, this relation to facticity requires ethical commitment and existential faith. The phenomenology of the call can show how such commitment and faith overcomes self-alienation by synthesizing the passive and active aspects of selfhood.
{"title":"The Call to Selfhood: Kierkegaard, Narrative Unity, and the Achievement of Personal Identity","authors":"Jacob Farris","doi":"10.1515/kierke-2023-0007","DOIUrl":"https://doi.org/10.1515/kierke-2023-0007","url":null,"abstract":"Abstract This paper argues for a Kierkegaardian account of personal identity in dialogue with MacIntyre, Korsgaard, Frankfurt, Ricœur, and Marion. I engage with the scholarly debate on Kierkegaard’s relationship to practical and narrative accounts of the self and argue that he criticizes the ideal of self-authorship because authentic selfhood must be co-authored with others and embedded in the narrative setting and history that is provided by facticity. Moreover, this relation to facticity requires ethical commitment and existential faith. The phenomenology of the call can show how such commitment and faith overcomes self-alienation by synthesizing the passive and active aspects of selfhood.","PeriodicalId":53174,"journal":{"name":"Kierkegaard Studies Yearbook","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86613972","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-11DOI: 10.1515/kierke-2023-0004
Matthew T. Nowachek
Abstract In this essay I explore Kierkegaard’s description of the vision of the lover carrying out the work of love in forgiveness in “Love Hides a Multitude of Sins.” I do so by turning to the notion of anamorphosis with the associated movement, (dis)position, and eccentricity involved in reconstitution of an anamorphic image. My argument is not only that such a dynamic can be seen in Kierkegaard’s deliberation, but also that drawing the connection between anamorphosis and Kierkegaard’s account highlights the movement and disposition involved in forgiveness as well as the manner by which the forgiving lover becomes an eccentric.
{"title":"Seeing as the Eccentric Lover: An Exploration into Vision, Forgiveness, and Anamorphic Dynamic in Kierkegaard’s “Love Hides a Multitude of Sins”","authors":"Matthew T. Nowachek","doi":"10.1515/kierke-2023-0004","DOIUrl":"https://doi.org/10.1515/kierke-2023-0004","url":null,"abstract":"Abstract In this essay I explore Kierkegaard’s description of the vision of the lover carrying out the work of love in forgiveness in “Love Hides a Multitude of Sins.” I do so by turning to the notion of anamorphosis with the associated movement, (dis)position, and eccentricity involved in reconstitution of an anamorphic image. My argument is not only that such a dynamic can be seen in Kierkegaard’s deliberation, but also that drawing the connection between anamorphosis and Kierkegaard’s account highlights the movement and disposition involved in forgiveness as well as the manner by which the forgiving lover becomes an eccentric.","PeriodicalId":53174,"journal":{"name":"Kierkegaard Studies Yearbook","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89101975","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-11DOI: 10.1515/kierke-2023-0005
Jérôme Bord
Abstract In this paper, I propose a study of the figure of the philistine (Spidsborgeren) as the embodiment of spiritlessness in Kierkegaard. Indeed, although the pseudonyms aim at representing all the possibilities of existence, declining at the same time the diverse degrees of inwardness, the philistine appears throughout the whole work as the very paradigm of the lack of inwardness. While this figure stands as a kind of antipseudonym, I thus argue that it plays a decisive role in Kierkegaard, because it enables him to constitute and to structure, in a negative way, his philosophy of existence.
{"title":"Kierkegaard and the Figure of the Philistine: a Negative Way of Highlighting Existence","authors":"Jérôme Bord","doi":"10.1515/kierke-2023-0005","DOIUrl":"https://doi.org/10.1515/kierke-2023-0005","url":null,"abstract":"Abstract In this paper, I propose a study of the figure of the philistine (Spidsborgeren) as the embodiment of spiritlessness in Kierkegaard. Indeed, although the pseudonyms aim at representing all the possibilities of existence, declining at the same time the diverse degrees of inwardness, the philistine appears throughout the whole work as the very paradigm of the lack of inwardness. While this figure stands as a kind of antipseudonym, I thus argue that it plays a decisive role in Kierkegaard, because it enables him to constitute and to structure, in a negative way, his philosophy of existence.","PeriodicalId":53174,"journal":{"name":"Kierkegaard Studies Yearbook","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85578251","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-11DOI: 10.1515/kierke-2023-0016
Oliver Victor
Abstract This paper discusses Habermas’s characterization of Kierkegaard as a religious author in his main profession and as an existential philosopher on the side. I would like to argue that Kierkegaard is primarily an existential philosopher, also in his function as a religious author. At first, I would like to interpret his religious authorship as a form of indirect communication, and after that I discuss indirect communication as a method of existentialism. In this way, the article aims to demonstrate that Kierkegaard becomes the precursor of existential philosophy not least by his religious authorship as a theory and practice of indirect communication.
{"title":"Kierkegaard: Existenzphilosoph nur im ‚Nebenberuf‘? Überlegungen im Anschluss an Jürgen Habermas","authors":"Oliver Victor","doi":"10.1515/kierke-2023-0016","DOIUrl":"https://doi.org/10.1515/kierke-2023-0016","url":null,"abstract":"Abstract This paper discusses Habermas’s characterization of Kierkegaard as a religious author in his main profession and as an existential philosopher on the side. I would like to argue that Kierkegaard is primarily an existential philosopher, also in his function as a religious author. At first, I would like to interpret his religious authorship as a form of indirect communication, and after that I discuss indirect communication as a method of existentialism. In this way, the article aims to demonstrate that Kierkegaard becomes the precursor of existential philosophy not least by his religious authorship as a theory and practice of indirect communication.","PeriodicalId":53174,"journal":{"name":"Kierkegaard Studies Yearbook","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89681511","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-11DOI: 10.1515/kierke-2023-0003
S. Neuber
Abstract Kierkegaard՚s The Concept of Anxiety deserves to be treated as a central text on sin, but not because it introduces an ingenious intermediate psychological determination that helps to approach an explanation of the „Fall.“ Its real relevance lies in the way the text enacts the noetic effects of sin through a theoretical reflection on the possibility of sin. This essay unfolds this thesis and assigns a central hermeneutical role to Caput 4.
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