宙斯·拉拉西奥斯的帕拉凯

Q1 Arts and Humanities Gephyra Pub Date : 2023-05-15 DOI:10.37095/gephyra.1252687
Emmanouil Vouti̇ras
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引用次数: 0

摘要

来自特拉利斯(Aydin)的两个刻有宙斯·拉拉西奥斯(Zeus Larasios)祭品的底座,可以追溯到公元二世纪末或三世纪初,自19世纪第一个底座发表以来,一直被反复讨论。讨论的出发点是,奉献祭品的女性认为自己是pallakai(妾),这是一种世袭的神圣功能,一生中只能举行一次(或在特殊情况下两次)。学者们对每四年宙斯·拉拉西奥斯(Zeus Larasios)五旬节时帕拉卡伊(pallakai)的职责没有达成一致。拉姆齐(W. Ramsey)在1883年提出的她们是神圣妓女的假设已经被抛弃。拉特(K. Latte)将帕拉凯(pallakai)视为先知(以皮提亚(Pythia)为模型)的提议也是有问题的。古代词典编纂者将“pallake”或“pallakis”解释为青春期初期的年轻女孩,这表明宙斯·拉拉西奥斯的“pallakai”进行了一种仪式,标志着从童年到生育年龄的过渡。斯特拉波记录了埃及底比斯的这种仪式。
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The Pallakai of Zeus Larasios
Two inscribed bases of votive offerings to Zeus Larasios from Tralleis (Aydin), dating from the late second or early third century AD, have been repeatedly discussed ever since the first of them was published in the 19th century. The starting point of the discussion has been the fact that the women who dedicated the offerings identify themselves as pallakai (concubines), a sacred function that was hereditary and could be held only once (or in exceptional cases twice) in a lifetime. There is no agreement among scholars on the duties performed by the pallakai every four years, on the occasion of the penteteric festival of Zeus Larasios. The hypothesis that they were sacred prostitutes, put forward by W. Ramsey in 1883, has been abandoned. The proposal of K. Latte to recognize the pallakai as prophetesses (on the model of the Pythia) is also problematic. The explanation of the term pallake or pallakis by ancient lexicographers as a young girl at the beginning of puberty suggests that the pallakai of Zeus Larasios performed a ritual signaling the transition from childhood to reproductive age. Strabo records a ritual of this kind in Egyptian Thebes.
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来源期刊
Gephyra
Gephyra Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.70
自引率
0.00%
发文量
7
审稿时长
12 weeks
期刊介绍: Gephyra - a Journal for the Ancient History and Cultures of the Eastern Mediterranean - is an open access publication platform for articles from all fields of research into Asia Minor and the Eastern Mediterranean, insofar as they shed new light on the history and culture of this geographical and historical region. Scope: Epigraphic, archaeological, numismatic and art historical contributions, commented and evaluated material presentations, as well as historical reflections and essays are all equally welcome.
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