数字时代新的中间商:以电影为例

J. Simon, Pierre Benghozi, Elisa Salvador
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引用次数: 8

摘要

目的-本文的目的是探究电影中各种形式的创新和可观察的配置是可观察的,并记录了电影中的特定技术领域,以及年轻的IT和数字公司带来的创新。设计/方法/方法-本文基于案头研究、文献综述、技术期刊综述、年度报告分析以及与专家和行业参与者的会议。调查结果-在大多数情况下,它确定了信息和通信技术(ICT)公司的存在,这些公司是数字时代的新中间商,它们以这样或那样的方式整合了电影业的核心活动。这些公司(具有前沿研发优势的“专业技术公司”)正在扮演“新中间人”的角色,在被称为“新ICT生态系统”的转型工业环境的不同层面之间进行联络。研究限制/影响-样本(案例研究)的大小,因为论文减轻…
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The new middlemen of the digital age: the case of cinema
Purpose – The purpose of this paper is to enquire into various forms of innovation and observable configurations in films are observable and document the specific technological fields in cinema, and innovations brought by young IT and digital companies. Design/methodology/approach – The paper is based on desk research, a review of literature, review of the technical journals, analysis of annual reports and meeting with experts and industry participants. Findings – It identifies in most cases the presence of information and communication technologies (ICT) companies, new middlemen of the digital age, that integrate in one or another way the core activity of the cinema industry. These companies (“specialized technological companies” with edge R & D) are playing the rather recent role of “new middlemen” liaising between the different layers of a transformed industrial environment described as the “new ICT ecosystem”. Research limitations/implications – The size of the sample (case studies) as the paper relie...
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