自我去疆域化:在Reha Erdem的《人到底是什么?》(2004)

IF 0.2 0 FILM, RADIO, TELEVISION CINEJ Cinema Journal Pub Date : 2022-12-19 DOI:10.5195/cinej.2022.364
Suphi Keskin
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引用次数: 0

摘要

Reha Erdem的第三部长片《人到底是什么?》(2004)探讨了男性角色在性别角色方面的问题。这部电影也暗示了这些问题是从女性角色和父母的角度产生的。虽然厄登的电影主要集中在有毒的男子气概上,但《人到底是什么?》是厄登作品中唯一一部以消极的方式表现女性的电影。本研究主要关注电影中的年轻男性角色及其对性别导向期望和父母压力的态度,通过德勒兹-圭塔利的概念进行分析,包括去领土化、俄狄浦化,特别是成为,包括成为少数主义者、成为女人、成为孩子。
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Deterritorializing The Self: Becoming-Child in the Characters of Reha Erdem’s What’s A Human Anyway? (2004)
Reha Erdem’s third feature-length movie, What’s a Human, Anyway? (2004) deals with the problems of male characters towards gender roles. This movie also connotes that these problems occur from the views of female characters and parents. Although Erdem’s films mostly concentrates on the toxic masculinity, What’s a Human, Anyway? is the mere film in Erdem’s ouvre, that of which represents women in a negative manner. This research mainly focuses on the young male characters of movie and their attitude against gender-oriented expectations and parental pressure by analyzing it through Deleuze-Guattarian concepts, including deterritorialization, Oedipalization and particularly, becomings, including becoming-minoritarian, -woman, and -child.
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CINEJ Cinema Journal
CINEJ Cinema Journal FILM, RADIO, TELEVISION-
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