两个诱惑者的故事:克尔凯郭尔和陀思妥耶夫斯基作品中的存在主义陷阱

IF 0.2 0 PHILOSOPHY Kierkegaard Studies Yearbook Pub Date : 2021-08-11 DOI:10.1515/kierke-2021-0018
Petr Vaškovic
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引用次数: 0

摘要

摘要:本研究提出了一个简单的问题,即,哪些特定的力量有时可能阻碍而不是促进个人道德发展?为了回答这个问题,我将研究克尔凯郭尔和陀思妥耶夫斯基的作品,研究他们作品中的两个美学主角——诱惑者约翰内斯和德米特里·卡拉马佐夫。我将利用克尔凯郭尔关于三个存在阶段的框架来说明,这是对满足的过度依赖,加上对存在的工具性方法,不仅阻止了这两位美学家的道德行为,而且甚至阻止了将伦理观点视为可行的存在立场。
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The Tale of Two Seducers: Existential Entrapment in the Works of Kierkegaard and Dostoevsky
Abstract The present study poses a simple question, namely, what are the specific forces that might at times hinder rather than advance individual moral development? To answer this inquiry, I will investigate the writings of Kierkegaard and Dostoevsky, examining the two aesthetic protagonists found in their works—Johannes the Seducer and Dmitri Karamazov. I will utilise the Kierkegaardian framework of the three existential stages to illustrate that it is an over-reliance on gratification, coupled with an instrumental approach towards beings that not only prevents these two aesthetes from behaving morally, but also from even recognising the ethical perspective as a viable existential position.
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