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摘要

在法庭的幕后。摘要本文探讨了乌戈·贝蒂的戏剧《瓦鲁齐奥·阿尔·朱斯蒂齐亚宫》在波兰的接受情况。它呈现了两场表演的比较:由MariaWiercińska(1958)执导的戏剧表演和由Gustaw Holoubek(1970)执导的电视表演。第一种景象是由后斯大林时代的政治背景决定的,第二种景象则集中在道德冲突和个人态度上。两场表演都在探寻正义的意义。关键词:乌戈·贝蒂,波兰戏剧,接待,电视表演,正义
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Za kulisami sądu. Ugo Betti, "Trąd w pałacu sprawiedliwości" ("Corruzione al Palazzo di Giustizia")
Behind the scenes of Court. Ugo Betti, Corruzione al Palazzo di GiustiziaAbstractThe article concerns the Polish reception of Ugo Betti’s drama Corruzione al Palazzo di Giustizia.It presents the comparison of the two performances: the theatrical one, directed by MariaWiercińska (1958), and the television one, directed by Gustaw Holoubek (1970). The firstspectacle was determined by the political context in post-Stalinist times, the second wasconcentrated on moral conflicts and personal attitudes. Both performances searched for ananswer to the question about the meaning of justice.Keywords: Ugo Betti, Polish theatre, reception, television performance, justice
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Problemy tożsamości płciowej i androgynii oraz ich rozumienie w dyskursie ponowoczesności na podstawie wybranych przykładów polskiej prozy po roku 1989 Karla Dedeciusa portret podwójny. O tłumaczu poezji polskiej i autorze refleksji o literaturze Ojczyzna – obczyzna. Stanisław Przybyszewski o swej niemieckiej przeszłości w kręgu berlińskiej bohemy Literatura dla dzieci i młodzieży i sacrum. "Sacrum w literaturze dziecięcej i młodzieżowej", red. Anna Nosek, Małgorzata Wosnitzka-Kowalska, Towarzystwo Autorów i Wydawców Prac Naukowych UNIVERSITAS, Kraków 2021, ss. 409 Polski krytyk teatralny Andrzej Wirth – mistrz przemieszczania się i jego rola w kształtowaniu nowego oblicza teatru w Niemczech
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