走向移动:绿地村的实践

IF 0.1 4区 艺术学 Q3 Arts and Humanities Future Anterior Pub Date : 2020-06-28 DOI:10.5749/futuante.15.2.0095
Justin Parscher
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引用次数: 0

摘要

摘要:亨利·福特(Henry Ford)独特的迁地保护实践造就了格林菲尔德村(Greenfield Village)的混合景观,这是密歇根州迪尔伯恩(Dearborn)的一个单一地点,汇集了一系列具有遗产价值的不同建筑。本文认为,该网站最好被理解为一个动态系统,旨在产生某种类型的公民符合福特自己的自我形象:积极的,与物质文化的身体接触,以阐明和传播美德。格林菲尔德村目前作为一个旅游目的地的身份模糊了福特作为一个基于实践教学法的学校的最初意图,以及该网站仍然为各种用户群体提供构建历史叙事的能力的方式。这篇文章读到这个网站古怪的美国历史编纂,既是对国家肖像的文学项目的模拟,也是一种程序性的修辞,鼓励一种通过空间表演的生活方式。虽然Greenfield Village最初的方法与创造者的种族主义和民粹主义紧密相连,但它的灵活性为今天的用户和所有者提供了积极对抗这些偏见的手段,并提出了新的历史愿景。
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Going Mobile: Greenfield Village in Practice
Abstract:Henry Ford's idiosyncratic practice of ex-situ preservation resulted in the hybrid landscape of Greenfield Village, a collection of disparate buildings with perceived heritage value assembled on a single site in Dearborn, Michigan. This essay argues that the site is best understood as a dynamic system intended to produce a certain type of citizenship fitting Ford's own self-image: active, physical engagement with material culture in order to articulate and diffuse virtue. Greenfield Village's current identification as a tourist destination obscures both Ford's original intent for the site as a school based on hands-on pedagogy, and the way that the site still affords its various user groups the ability to construct historical narrative. The essay reads the site's eccentric historiography of the United States both as an analogue of literary projects of national portraiture and as a procedural rhetoric encouraging a way of living through performance in space. While Greenfield Village's original method is deeply tied to the racism and populism of its creator, its very flexibility affords today's users and proprietors the means to actively contest these biases and put forth new visions of history.
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Future Anterior
Future Anterior Arts and Humanities-Visual Arts and Performing Arts
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