{"title":"档案地球:叙事极限下的濒危证词","authors":"C. P. Krieg","doi":"10.1353/pan.2022.0019","DOIUrl":null,"url":null,"abstract":"Abstract:In the context of overlapping anthropogenic threats to environmental knowledge and cultural memory, this article asks: what can the limits of narrative tell us about the endangered status of cultural memory and the archival relationships of contemporary literature? It argues that metaleptic moves in these narratives can be read as a historical response to material precarities in contemporary society. Read dialectically, these developments may be understood as a formal response to this precarity and a felt sense of the limits of literature to authenticate its intervention into the conditions it describes. This article draws on examples from James McBride’s The Good Lord Bird, Rodrigo Rey Rosa’s Human Matter, Sarah Broom’s The Yellow House, Karen Tei Yamashita’s Letters to Memory, and short stories from Phenderson Djèlí Clark and Ken Liu. Reading across literary fiction, memoir, and speculative fiction, this article explores how the limits of narrative are turned into opportunities for further opening the text to the world.","PeriodicalId":42435,"journal":{"name":"Partial Answers-Journal of Literature and the History of Ideas","volume":"9 1","pages":"337 - 356"},"PeriodicalIF":0.4000,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Archival Earth: Endangered Testimony at the Limits of Narrative\",\"authors\":\"C. P. Krieg\",\"doi\":\"10.1353/pan.2022.0019\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:In the context of overlapping anthropogenic threats to environmental knowledge and cultural memory, this article asks: what can the limits of narrative tell us about the endangered status of cultural memory and the archival relationships of contemporary literature? It argues that metaleptic moves in these narratives can be read as a historical response to material precarities in contemporary society. Read dialectically, these developments may be understood as a formal response to this precarity and a felt sense of the limits of literature to authenticate its intervention into the conditions it describes. This article draws on examples from James McBride’s The Good Lord Bird, Rodrigo Rey Rosa’s Human Matter, Sarah Broom’s The Yellow House, Karen Tei Yamashita’s Letters to Memory, and short stories from Phenderson Djèlí Clark and Ken Liu. Reading across literary fiction, memoir, and speculative fiction, this article explores how the limits of narrative are turned into opportunities for further opening the text to the world.\",\"PeriodicalId\":42435,\"journal\":{\"name\":\"Partial Answers-Journal of Literature and the History of Ideas\",\"volume\":\"9 1\",\"pages\":\"337 - 356\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Partial Answers-Journal of Literature and the History of Ideas\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/pan.2022.0019\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Partial Answers-Journal of Literature and the History of Ideas","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/pan.2022.0019","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
Archival Earth: Endangered Testimony at the Limits of Narrative
Abstract:In the context of overlapping anthropogenic threats to environmental knowledge and cultural memory, this article asks: what can the limits of narrative tell us about the endangered status of cultural memory and the archival relationships of contemporary literature? It argues that metaleptic moves in these narratives can be read as a historical response to material precarities in contemporary society. Read dialectically, these developments may be understood as a formal response to this precarity and a felt sense of the limits of literature to authenticate its intervention into the conditions it describes. This article draws on examples from James McBride’s The Good Lord Bird, Rodrigo Rey Rosa’s Human Matter, Sarah Broom’s The Yellow House, Karen Tei Yamashita’s Letters to Memory, and short stories from Phenderson Djèlí Clark and Ken Liu. Reading across literary fiction, memoir, and speculative fiction, this article explores how the limits of narrative are turned into opportunities for further opening the text to the world.
期刊介绍:
Partial Answers is an international, peer reviewed, interdisciplinary journal that focuses on the study of literature and the history of ideas. This interdisciplinary component is responsible for combining analysis of literary works with discussions of historical and theoretical issues. The journal publishes articles on various national literatures including Anglophone, Hebrew, Yiddish, German, Russian, and, predominately, English literature. Partial Answers would appeal to literature scholars, teachers, and students in addition to scholars in philosophy, cultural studies, and intellectual history.