表演回报:受害者、罪犯还是英雄?塞内加尔男性返回者被驱逐出境

Karlien Strijbosch, V. Mazzucato, U.G.S.I. Brunotte
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摘要

在塞内加尔,移民既是一种耻辱,也是一种特权;它可以提高社会地位,但也会在移民项目流产后导致污名化和痛苦。本文以表演为分析视角,探讨塞内加尔男性移民如何叙述和表演他们返回塞内加尔,以回应不同的社会期望。它的重点是那些从欧洲被驱逐出境的人,或者那些在自愿返回之前面临被驱逐出境威胁的人。尽管移民学者呼吁超越有限的受害者话语,但很少有研究探讨回归者的代理,更少探讨被驱逐者的代理。基于在塞内加尔城市近一年的民族志田野调查,我们研究了海归男性同时进行的多种表演和叙述。尽管他们经历了许多困难,但归国者通过参与作为提供者、保护者和虔诚穆斯林的男性霸权话语来讲述他们回国后的成功。但是,关于返回的模棱两可是很常见的,包括在公共和私人空间对痛苦的沉默。不论返回的时间长短或是否自愿,将返回作为一种主动行为,都可以使回返者能够设想属于塞内加尔社会。通过承认回返者的主观能动性,本文超越了将被驱逐者一般归类为受害者或罪犯的范畴。
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Performing return: victims, criminals or heroes? Senegalese male returnees engaging with the stigma of deportation
Abstract In Senegal, migration can both be a stigma and a privilege; it can increase social standing but also lead to stigmatization and suffering following aborted migration projects. This article uses performativity as an analytical lens to explore how Senegalese male migrants narrate and perform their return to Senegal in reaction to diverse social expectations. It focuses on men who were deported from Europe or who lived there under threat of deportation before returning voluntarily. Despite appeals by migration scholars to go beyond a limited discourse of victimhood, few studies explore returnees’ agency and even fewer the agency of deportees. Based on almost a year of ethnographic fieldwork in urban Senegal, we examine multiple simultaneous performances and narrations by returnee men. Despite the numerous difficulties they experience, returnees narrate success post-return by engaging with hegemonic masculine discourses of being a provider, protector and devout Muslim. But ambiguity about return is common, including silencing of suffering in public and private spaces. Performing return as an agentic act, regardless of the duration of return or whether it was voluntary, can enable returnees to conceive of belonging to Senegalese society. By recognizing returnees’ agentic performativity, this article moves beyond common categorizations of deportees as victims or criminals.
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