Alexei Kruchenykh的“Dyr bushchyl / ube shshchur”:变化的逻辑

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Tekst Kniga Knigoizdanie-Text Book Publishing Pub Date : 2022-01-01 DOI:10.17223/23062061/30/5
T. Koreñkova
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The hidden logic of the poem’s textual transformations was revealed by the analysis of a compiled chronological table of version changes (1913-1927/28). The article describes, how in order to get the effect of phonetic poetry (“universal language” and “language of the Universe”) Kruchenykh attempted from older versions to newer versions, step by step to destroy / overmusicalize and “disword” words / blur the spontaneous “echo” of morphological, semantic, sound-symbolic and topic-comment (theme-rheme) structures. The article offers arguments in favor of the hypothesis that at a moment of ecstatic impromptu the phrase Dyr bul arose in the futurist’s emotion-related mind as unconscious allusions to the fate of Prince Dir / voivode Dyr / Dyri (f882), “oskyldr Dyri” (?). Dyr Prince of Kiev was probably one of the first Slavic rulers converted to Christianity under the name of Il’ya (Elias; the first Christianization of Rus’ by Patriarch Photius, datable to early 867). 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引用次数: 0

摘要

本文运用遗传批评的方法,分析了阿列克谢·克鲁琴科诗歌《Dyr bul shchyl》(1912/1913)的起源与演变,以及克鲁琴科一生变化的演变逻辑,以及他在俄罗斯文化中的感知与转变。文章强调,要重建和解读克鲁申尼克《深奥诗篇》初版中创作冲动的创作冲动,有必要考虑到平版印刷方法的特殊性。本文运用文本和遗传批评的方法,陈述了Kruchenykh臭名昭著的诗歌“Dyr bul shchyl”(1913)的显著文本差异,并指出未受影响的最终作者意图的剩余挑战。这首诗文本转换的隐藏逻辑是通过对一份版本变化编年表(1913-1927/28)的分析揭示出来的。本文描述了为了获得音韵诗(“通用语言”和“宇宙语言”)的效果,克鲁琴科如何尝试从旧版本到新版本,一步一步地破坏/过度音乐化和“disword”词/模糊词形、语义、音-符号和话题-评论(主题-述位)结构的自发“回声”。这篇文章提供了支持这样一种假设的论据,即在狂喜的即兴时刻,Dyr bul这个短语出现在未来主义者与情感相关的头脑中,作为对王子Dir / voivode Dyr / Dyri (f882)的命运的无意识暗示,“oskyldr Dyri”(?)。基辅的德尔王子可能是最早皈依基督教的斯拉夫统治者之一,他的名字是伊莱亚斯(Il 'ya;罗斯的第一次基督教化是由族长弗提乌斯发起的,可追溯到867年初)。编年史家内斯特在《逝去岁月的故事》(俄罗斯初级编年史)中很少提到他。对Kruchenykh平版印刷作品笔迹特征的分析,以及对城市传说和媒体关于考古发现的耸人听闻的报道的扫描,以及在诺夫哥罗德亲王留里克(Rurik of Novgorod, 882)到来之前居住在基辅的早期基督徒的痕迹的挖掘,都支持了这一假设。尽管在未来主义之前,俄罗斯文学传统中也存在类似的文本(Kirsha Danilov收集的一首古俄罗斯诗歌中的仪式胡言胡语,以及Andrei别列和Velemir Khlebnikov的诗歌),但为什么这首诗歌的缩影,“俄罗斯诗歌的黑色方块”,成为最臭名昭著的超理性诗歌(zaum)的例子之一,给出了解释。作者声明没有利益冲突。
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“Dyr bul shchyl / ube sh shchur” by Alexei Kruchenykh: The logic of variations
Genesis and evolution of Alexei Kruchenykh’s poem “Dyr bul shchyl” (1912/1913) and the logic of evolution of the later author’s lifetime variations, as well as its perceptions and transformations in Russian culture, are analyzed by methods of genetic criticism. The article emphasizes that it is necessary to take into account the specifics of the lithographic method of printing in the first edition of Kruchenykh’s abstruse verses for the reconstruction and interpretation of the creative impulses at the time of ecstatic impromptu. The article, using methods of textual and genetic criticism, states a significant textual variability of Kruchenykh’s notorious poem “Dyr bul shchyl” (1913) and points out the remaining challenge of the uninfluenced final authorial intention. The hidden logic of the poem’s textual transformations was revealed by the analysis of a compiled chronological table of version changes (1913-1927/28). The article describes, how in order to get the effect of phonetic poetry (“universal language” and “language of the Universe”) Kruchenykh attempted from older versions to newer versions, step by step to destroy / overmusicalize and “disword” words / blur the spontaneous “echo” of morphological, semantic, sound-symbolic and topic-comment (theme-rheme) structures. The article offers arguments in favor of the hypothesis that at a moment of ecstatic impromptu the phrase Dyr bul arose in the futurist’s emotion-related mind as unconscious allusions to the fate of Prince Dir / voivode Dyr / Dyri (f882), “oskyldr Dyri” (?). Dyr Prince of Kiev was probably one of the first Slavic rulers converted to Christianity under the name of Il’ya (Elias; the first Christianization of Rus’ by Patriarch Photius, datable to early 867). Nestor the Chronicler made a scant mention of him in The Tale of Bygone Years (Russian Primary Chronicle). The analysis of handwriting features of Kruchenykh’s lithographic work, as well as scanning of urban legends and media sensational report on archaeological discoveries and excavation of trace of early Christians who lived in Kiev before the arrival of Prince Rurik of Novgorod (882), argues in favor of this hypothesis. An explanation why this poetic miniature, the “Black square of Russian poetry,” became one of most notorious examples of transrational poetry (zaum), despite the existence of similar texts in Russian literary tradition prior to futurism (ritual gibberish, a song from Old Russian poems collected by Kirsha Danilov, as well as poetry of Andrei Bely and Velemir Khlebnikov) is offered. The author declares no conflicts of interests.
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Tekst Kniga Knigoizdanie-Text Book Publishing
Tekst Kniga Knigoizdanie-Text Book Publishing HUMANITIES, MULTIDISCIPLINARY-
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