展览创伤:第二次世界大战后70年柏林绘画和雕塑收藏,策展反思

IF 0.1 4区 艺术学 Q3 Arts and Humanities Future Anterior Pub Date : 2020-08-21 DOI:10.5749/futuante.16.1.0001
J. Chapuis, D. Gissen
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摘要

摘要:对于柏林博物馆来说,1945年5月的记忆与馆藏物品的丢失有关。在战争结束前和结束后的几天里,一个地堡发生了两场大火,烧毁了无数保存在那里的艺术品。1945年期间,博物馆的大部分藏品被盟军控制。这些作品中的大部分直到20世纪50年代才回到当时分裂的柏林。战争和战后时期对柏林博物馆藏品的影响至今仍能感受到。Gemäldegalerie失去了大约400幅画,骷髅会失去了其收藏的三分之一。在已经归还的作品中,许多都遭到了严重破坏。2015年在博德博物馆举行的“失落的博物馆”展览揭示了1945年火灾的历史环境和艺术品的命运。借助石膏模型和原始尺寸的摄影复制品,柏林雕塑和绘画收藏的杰作重新进入了公众的视野。这次展览还探讨了修复和呈现被战争破坏的艺术品背后的伦理和现实问题。
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Exhibiting Trauma: The Berlin Painting and Sculpture Collections Seventy Years after World War II, a Curatorial Reflection
Abstract:For the Berlin Museums, the memory of May 1945 is linked to the loss of objects from their collections. In the days just before and after the end of the war, two fires in a bunker destroyed countless works of art that had been stored there for safekeeping. Over the course of 1945, large parts of the museum holdings came under control of the Allies. The majority of these works only returned to the then-divided Berlin in the 1950s. The effects of the war and the postwar period on the collections of the Berlin Museums are felt to this day. The Gemäldegalerie lost about four hundred paintings, the Skulpturensammlung a third of its holdings. Among the works that did return, many were severely damaged.Held at the Bode Museum in 2015, the exhibition The Lost Museum shed light on the historical circumstances of the fires in 1945 and the subsequent fate of the works of art. With the help of plaster casts and photographic reproductions of works in their original size, masterpieces of the Berlin sculpture and painting collections were brought back into public consciousness. The exhibition also explored the ethical and practical problems behind the restoration and presentation of war-damaged art.
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Future Anterior
Future Anterior Arts and Humanities-Visual Arts and Performing Arts
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