建筑档案:一只可变的野兽

IF 0.1 4区 艺术学 Q3 Arts and Humanities Future Anterior Pub Date : 2020-06-28 DOI:10.5749/futuante.15.2.0081
J. Parks
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引用次数: 0

摘要

摘要:人们对建筑档案的兴趣高涨,与美国历史保护行业的发展不谋而合。事实上,20世纪确立保存指导方针的连续几部联邦法律明确要求收集文件。就像一件完成的建筑作品可以公开一样,建筑档案——由建筑师维护的,而不是公开授权的建筑记录——是一个可变的野兽,受到许多内部和外部因素的影响:从建筑师对材料的关注,到创作和收藏之间的时间,以及参与其中的参与者的数量。建筑档案是如何发展的,收集的一些变量是什么,历史保护主义者如何参与这个过程?最后,这个故事不那么专业,更个人化,不像沃尔特·本雅明,更像亨利·詹姆斯的心理小说。
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Architectural Archives: A Variable Beast
Abstract:The surge of interest in architectural archives coincides with the development of the historic preservation profession in the United States. Indeed, successive federal laws establishing guidelines for preservation in the twentieth century explicitly mandate the collection of documentation. As public as a finished work of architecture can be, the architectural archive—the one maintained by the architect, not the publicly mandated building records—is a variable beast, subject to many internal and external factors: from the care the architect gave to the material, to the time between creation and collection, and the number of players involved. How do architectural archives develop, what are some of the variables of collecting, how might historic preservationists engage in this process? In the end, the story is less professional and more personal, less like Walter Benjamin and more like the psychological novels of Henry James.
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Future Anterior
Future Anterior Arts and Humanities-Visual Arts and Performing Arts
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