Dewa Gede Purwita Purwita
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引用次数: 0

摘要

从19世纪末到20世纪初的视觉历史角度来看,这些浮雕碎片被解释为散落在Singaraja城市地区的浮雕碎片。问题是如何通过Singaraja city的浮雕来描述城市的历史叙事,旨在解读城市发展的流程,揭示Singaraja city文化遗产的视觉品牌潜力。研究方法采用视觉历史的方法,通过定性范式和分析描述性的阐述,重点更多地放在20世纪,因为剩下的是基于剩余领域的数据分布,其余的在阐述过程中使用文献综述和互联网数据。通过本文的研究,从媒介方面对浮雕的发展以及浮雕的制作技术随着城市文化的发展进行了叙述,这是一个与Singaraja城市港口和政府中心的存在有关的多元文化同化过程。
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Singaraja dan Fragmen-fragmen Relief Penanda Perkembangan Kota Tinjauan Sejarah Visual Awal Abad XX Sebagai Potensi Visual Branding Urban Heritage
The relief fragments are interpreted as pieces of relief scattered in the Singaraja City area, viewed from a visual historical point of view in the late 19th to early 20th century. The problem is how to describe the historical narrative of the city through pieces of relief in Singaraja City, which aims to read the flow of the city's development and reveal the potential for visual branding of the cultural heritage of Singaraja City. The research method uses a visual history approach through a qualitative paradigm with analytic descriptive elaboration, the emphasis is more on the 20th century because the remains are based on the distribution of data in the remaining fields, the rest uses literature review and internet data in the elaboration process. Through this research, the narrative of the development of the relief from the medium side and the working technique along with the development of urban culture is obtained due to the multicultural assimilation process which is related to the existence of the city port and the center of government in Singaraja City.
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