关于碎石的归档

IF 0.1 4区 艺术学 Q3 Arts and Humanities Future Anterior Pub Date : 2020-06-28 DOI:10.5749/futuante.15.2.0033
Leen Katrib
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引用次数: 2

摘要

摘要:考古学家在保护古迹时,在将古迹分配为废弃“废墟”的过程中,采用一种基于价值观的系统来确定哪些值得保存,哪些将被破坏。把“废墟”看作名词,强调了帝国的文物是一个已消亡政权的被动残余物,有效地暗示了帝国统治的结束。然而,关注毁灭的过程,可以让我们追溯帝国遗留下来的影响,人们留下了什么——或者没有。这篇文章建议将读者的目光从纪念碑的“废墟”转移到产生了一种残余的毁灭过程,这种残余在很大程度上逃过了学术界的关注,在帝国档案中也一直没有出现——废墟。与纪念碑的“废墟”不同,纪念碑的“瓦砾”是无形的,没有其最初创造的痕迹。考古修复史上的例子表明,在废墟管理中存在一种一致的模式,即将其抹去,而不是保存、记录或存档。这种模式还有待解决,因为越来越多的纪念碑面临着经济、自然、恐怖主义等不仅仅是考古方面的破坏过程。本文试图揭示抹去纪念碑“瓦砾”对历史生产过程的影响,并为瓦砾的新管理和潜在的来世辩护。它的结论是假设瓦砾的档案化,而不是博物馆化,以重新构建这种历史上被边缘化的、无形的材料,作为一种毁灭的代理,可以打开历史的重新审视,可以民主化存储、检索、生产和索引新形式的知识。
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On Archiving Rubble
Abstract:When archaeologists work to preserve a monument, a values-based system is employed to determine what is worth preserving and what will be destroyed in the process of allocating monuments as abandoned "ruins." To think of "ruin" as a noun emphasizes the artifacts of empire as passive remnants of a defunct regime, effectively implying that imperial governance is over. To focus on processes of ruination, however, allows us to trace the lingering effects of empire, what people are left with—or without. This essay proposes to shift the reader's gaze away from the "ruins" of monument and toward processes of ruination that produce a category of remnants that has largely slipped the attention of scholarship and has remained absent from imperial archives—rubble. Unlike the "ruins" of monument, the "rubble" of monument is formless, bearing no trace of its original creation. Examples in the history of archaeological restorations point to a consistent pattern in the management of rubble, where it's obliterated rather than preserved, documented, or archived. This pattern has yet to be addressed as more monuments face processes of ruination beyond just archaeology: economic, natural, terrorist. This essay seeks to unpack the implications of obliterating the "rubble" of monuments on the process of historical production, and to argue for novel management and the potential afterlife of rubble. It concludes by hypothesizing the archivization, as opposed to the museumization, of rubble to reframe this historically marginalized, formless material as an agent of ruination that can open history up for reexamination and can democratize the storage, retrieval, production, and indexing of new forms of knowledge.
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Future Anterior
Future Anterior Arts and Humanities-Visual Arts and Performing Arts
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