{"title":"斯宾塞《仙后》中的安息日双关语和奥克诺米娅","authors":"Judith H. Anderson","doi":"10.1353/sel.2021.0001","DOIUrl":null,"url":null,"abstract":"Abstract:With the publication of Spenser's Mutabilitie Cantos in 1609, together with the 1596 edition, The Faerie Queene effectually had a new ending, and, with John Upton's edition in 1758, newly explained sabbatical punning in this ending's close. My article centers primarily on this wordplay, bringing it, along with the theme of sovereignty in the Cantos, into relation with Giorgio Agamben's genealogy of \"economic theology,\" an immanent ordering within divinity and the cosmos. Secondarily, I treat the ending of book 6, which gives way in book 7 to a reading experience that is divinely comic.","PeriodicalId":45835,"journal":{"name":"STUDIES IN ENGLISH LITERATURE 1500-1900","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2022-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Sabbath Puns and Okonomia in Spenser's Faerie Queene\",\"authors\":\"Judith H. Anderson\",\"doi\":\"10.1353/sel.2021.0001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:With the publication of Spenser's Mutabilitie Cantos in 1609, together with the 1596 edition, The Faerie Queene effectually had a new ending, and, with John Upton's edition in 1758, newly explained sabbatical punning in this ending's close. My article centers primarily on this wordplay, bringing it, along with the theme of sovereignty in the Cantos, into relation with Giorgio Agamben's genealogy of \\\"economic theology,\\\" an immanent ordering within divinity and the cosmos. Secondarily, I treat the ending of book 6, which gives way in book 7 to a reading experience that is divinely comic.\",\"PeriodicalId\":45835,\"journal\":{\"name\":\"STUDIES IN ENGLISH LITERATURE 1500-1900\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-01-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"STUDIES IN ENGLISH LITERATURE 1500-1900\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/sel.2021.0001\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"STUDIES IN ENGLISH LITERATURE 1500-1900","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/sel.2021.0001","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
Sabbath Puns and Okonomia in Spenser's Faerie Queene
Abstract:With the publication of Spenser's Mutabilitie Cantos in 1609, together with the 1596 edition, The Faerie Queene effectually had a new ending, and, with John Upton's edition in 1758, newly explained sabbatical punning in this ending's close. My article centers primarily on this wordplay, bringing it, along with the theme of sovereignty in the Cantos, into relation with Giorgio Agamben's genealogy of "economic theology," an immanent ordering within divinity and the cosmos. Secondarily, I treat the ending of book 6, which gives way in book 7 to a reading experience that is divinely comic.
期刊介绍：
SEL focuses on four fields of British literature in rotating, quarterly issues: English Renaissance, Tudor and Stuart Drama, Restoration and Eighteenth Century, and Nineteenth Century. The editors select learned, readable papers that contribute significantly to the understanding of British literature from 1500 to 1900. SEL is well known for thecommissioned omnibus review of recent studies in the field that is included in each issue. In a single volume, readers might find an argument for attributing a previously unknown work to Shakespeare or de-attributing a famous work from Milton, a study ofthe connections between class and genre in the Restoration Theater.
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