野梨树,世袭的遗产:努里·比尔奇·锡兰的《野梨树》中的父子关系

IF 0.2 0 FILM, RADIO, TELEVISION CINEJ Cinema Journal Pub Date : 2020-12-03 DOI:10.5195/cinej.2019.233
Coşkun Liktor
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引用次数: 3

摘要

本文分析了努里·比尔奇·锡兰的最新电影《野梨树》(2018)中的父子关系,这部电影讲述了一个儿子的故事,他希望尽可能不像父亲那样狭隘、狭隘的生活,结果却发现自己几乎违背了父亲的意愿,走上了父亲的老路。借鉴弗洛伊德和拉康的精神分析,本文将这部电影视为一出俄狄浦斯式的戏剧,描绘了一个儿子的困境,他与一个无能的、羞辱的、未能体现父亲功能的父亲作斗争。它致力于展示父子冲突如何最终达到高潮,父亲从一个被蔑视的对象转变为儿子的认同理想,儿子成为幻想破灭和希望受挫遗产的继承人。
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Wild Pear Trees, Patrimonial Legacies: Father-Son Relationship in Nuri Bilge Ceylan's The Wild Pear Tree
This article analyzes the father-son relationship in Nuri Bilge Ceylan’s latest film The Wild Pear Tree (2018), which tells the story of a son who desires a life as unlike his father’s narrow, provincial life as possible, only to find himself following in his father’s footsteps almost against his will. Drawing upon Freudian and Lacanian psychoanalysis, this article examines the film as an oedipal drama that portrays the predicament of a son who grapples with an ineffectual, humiliated father that fails to embody the paternal function. It undertakes to show how the father-son conflict eventually culminates in the father’s transformation from an object of contempt into an identificatory ideal for his son, who becomes heir to a legacy of disillusionment and thwarted hopes.
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CINEJ Cinema Journal
CINEJ Cinema Journal FILM, RADIO, TELEVISION-
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