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摘要

雷蒙在1907年从西班牙回来后,在圣Sebastián目睹了一场corrida,写下了短篇小说《Los toros》。这种类型的选择是有意为之。作家用它来反映生活的现实,描绘了一幅西班牙人的群像,毫无疑问,他成功了,用他的文学想象力和能力使他的作品具有隐喻性。雷蒙对corrida是西班牙文化的一个元素感到困惑,他没有在舞台上表达他对虐待动物(牛和马)的道德认可。相反,他的叙述充满了同情和情感投入的表达。转折点是年轻的牧羊人和叙述者的朋友对公牛的宽恕行为,这表明雷蒙对corrida的接受是移情的。现在,我们对这一现象的争论有两个结论。雷蒙的作品被法国众议院用来作为反对血腥场面的文学范例,而血腥场面是由传统来证明的。
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Ekspresja i empatia. Tauromachia okiem Reymonta ("Los toros")
Reymont wrote the short story, 'Los toros', in the year 1907 after coming back from Spain, where he witnessed a corrida in San Sebastián. The choice of the genre was intentional. The writer used it to reflect the realities of life and depict a group portrait of Spaniards, in which he succeeded without a doubt, using all with his literary imagination and ability to make his works metaphoric. Baffled by the corrida as an element of Spanish culture, Reymont did not express his moral approval of torturing animals (bulls and horses) on stage. On the contrary, his narration is full of sympathy and expressions that indicate emotional engagement. The turning point, the act of pardon performed by the young shepherd and the narrator’s friend towards the bull, indicates that Reymont’s reception of the corrida was empathic. Now, we had two conclusions on the contesting of the phenomenon. Reymont’s work was used by the French Chamber of Deputies as a literary example of disapproval of bloody spectacles that are justified by tradition. 
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