第六章:劳动的尊严与苦难

PRISM Pub Date : 2022-12-01 DOI:10.1215/25783491-10259422
Ban Wang
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引用次数: 0

摘要

在后社会主义和市场改革时代,市场的力量和发展的必要性正在造成人与自然、生产者与土地之间的代谢性裂痕。电影《工厂里的钢琴》讲述了工人阶级在新的异化中试图重燃过去的骄傲和团结的故事。中国纪录片已被证明是批评生态裂痕和灾难的有效媒介,对破坏生态的经济趋势进行了严厉的批评。在一个由广告牌、迷人的明星和图像主导的视觉景观中,纪录片制片人揭露了异化的劳动力状况,以及不受约束的发展所带来的环境和人力成本。
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Chapter Six: Dignity and Misery of Labor
In the post-socialist and market reform era, the power of the market and the developmental imperatives are creating metabolic rifts between humans and nature, between producers and the land. The film The Piano in a Factory tells a story of the working class trying to rekindle, amid new alienations, past pride and solidarity. Chinese documentary films have proven an effective medium in critiquing ecological rifts and disasters, staging a stringent critique against eco-destructive economic trends. Against a visual landscape dominated by billboards, glamorous stars, and images, documentary filmmakers expose the conditions of alienated labor and the environmental and human costs of unfettered development.
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PRISM
PRISM Arts and Humanities-Literature and Literary Theory
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Chapter Seven: Art and Labor in Han Song's Regenerated Bricks Chapter One: Confucianism and Nature Chapter Eight: Toxic Colonialism, Alienation, and Posthuman Dystopia in Chen Qiufan Chapter Ten: Critical Ecotopia in Hao Jingfang's Vagabonds Chapter Four: We Are the Dragon King
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