{"title":"我们都是怪物:地球危机中的激进关系","authors":"L. Lorenz","doi":"10.25038/am.v0i29.552","DOIUrl":null,"url":null,"abstract":"Earth’s climate is ever changing; yet for the first time in our planet’s history, Homo sapiens are the primary agents of this change. With this realization in mind, some geologists hope to rename our current terrestrial epoch the Anthropocene. Critical theorists have responded with alternate names – such as the Capitalocene or the Plantationocene – that point directly to the kinds of human activity that have led our planet to its current predicament. This paper begins with the premise that we are currently living through what environmental philosopher and multispecies feminist theorist Donna J. Haraway has named the Chthulucene: the age of monsters. If rationalocentric thinking of Enlightened Man helped bring about the Anthropocene, then what kind of worlds can emerge by turning away from Man and towards a radical reimagining of ourselves as monsters? What can chthonic stories teach us about how to live and die well together during a time of mass extinction? Drawing primarily from the emerging interdisciplinary field of art, science, and technology studies (ASTS), this paper offers a creatively narrated analysis of three chthonic narratives: Cold War satirical film Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, Octavia E. Butler’s post-nuclear-apocalyptic novel Dawn, and my own psychotic episodes involving nuclear apocalypse. These narratives, along with the Chthulucene itself, challenge the Western cultural distinction between the real and the imagined in order to make room for radical forms of relationality that can change how we Earthly beings identify, respond to, and care for each other as we collectively move through our planetary crisis and into other possible worlds.","PeriodicalId":40461,"journal":{"name":"AM Journal of Art and Media Studies","volume":"213 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2023-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"We Are All Monsters: Radical Relationality During Planetary Crisis\",\"authors\":\"L. Lorenz\",\"doi\":\"10.25038/am.v0i29.552\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Earth’s climate is ever changing; yet for the first time in our planet’s history, Homo sapiens are the primary agents of this change. 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引用次数: 0
摘要
地球的气候一直在变化;但在地球历史上,智人第一次成为了这种变化的主要推动者。考虑到这一点,一些地质学家希望将我们目前的陆地时代重新命名为人类世。批判的理论家们用其他的名字来回应,比如资本新世或种植园新世,这些名字直接指向了导致我们的星球陷入当前困境的人类活动。本文开篇的前提是,我们目前正生活在环境哲学家和多物种女权主义理论家唐娜·哈拉威(Donna J. Haraway)所称的克苏鲁塞尼:怪物时代。如果启蒙人类的理性中心思想帮助带来了人类世,那么通过远离人类并将我们自己彻底重新想象为怪物,会出现什么样的世界呢?在大灭绝时期,民族故事能教给我们什么?本文主要从新兴的跨学科艺术、科学和技术研究领域(ASTS)出发,对三个民族叙事进行了创造性的分析:冷战讽刺电影《奇爱博士》或《我如何学会停止担忧并热爱炸弹》,奥克塔维亚·e·巴特勒的后核启示录小说《黎明》,以及我自己与核启示录有关的精神病发作。这些叙述,以及克苏鲁塞尼本身,挑战了西方文化中真实与想象之间的区别,以便为激进的关系形式腾出空间,这种关系形式可以改变我们地球人在共同度过我们的星球危机并进入其他可能的世界时如何识别,回应和关心彼此。
We Are All Monsters: Radical Relationality During Planetary Crisis
Earth’s climate is ever changing; yet for the first time in our planet’s history, Homo sapiens are the primary agents of this change. With this realization in mind, some geologists hope to rename our current terrestrial epoch the Anthropocene. Critical theorists have responded with alternate names – such as the Capitalocene or the Plantationocene – that point directly to the kinds of human activity that have led our planet to its current predicament. This paper begins with the premise that we are currently living through what environmental philosopher and multispecies feminist theorist Donna J. Haraway has named the Chthulucene: the age of monsters. If rationalocentric thinking of Enlightened Man helped bring about the Anthropocene, then what kind of worlds can emerge by turning away from Man and towards a radical reimagining of ourselves as monsters? What can chthonic stories teach us about how to live and die well together during a time of mass extinction? Drawing primarily from the emerging interdisciplinary field of art, science, and technology studies (ASTS), this paper offers a creatively narrated analysis of three chthonic narratives: Cold War satirical film Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, Octavia E. Butler’s post-nuclear-apocalyptic novel Dawn, and my own psychotic episodes involving nuclear apocalypse. These narratives, along with the Chthulucene itself, challenge the Western cultural distinction between the real and the imagined in order to make room for radical forms of relationality that can change how we Earthly beings identify, respond to, and care for each other as we collectively move through our planetary crisis and into other possible worlds.