{"title":"关于生活在越南南部的高棉人的音乐特征和歌词,我们知道些什么?","authors":"Nguyen The Truyen","doi":"10.30819/aemr.7-4","DOIUrl":null,"url":null,"abstract":"\n In this article, the author will present some research issues as follows: Musical expressions of\nlove for the homeland, Love among men and women, family affection, and attachment to work.\nThe Khmer inhabiting South Vietnam practice all these expressions.\nIn another short section, common characteristics with the music of other ethnic groups in Vietnam\ninclude similar instrumental music, scales used and rhythmic structures applied.\nThereby, the author reviews categorizations undertaken in the past demonstrating that Khmer\nmusic strictly belongs to one ethnic group in the country. Also, musical instruments have been\ncategorized in similar ways, using the Hornbostel-Sachs descriptive tools: Chordophone,\nArephones, Idiophones, Membraphones, which are using a variety of scales and modes. It is also\nsaid that the inheritance and promotion of the typical values of Khmer music into social life, was\na very pragmatic fact, which needs more attention. The use of the term “Folk Music” is only\nreflecting on a certain approach supported by cultural policies toward minorities from the 1970s\nto 2010.\n\n","PeriodicalId":36147,"journal":{"name":"Asian-European Music Research Journal","volume":"69 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"What is Known About Some Music Features and Song Lyrics of the Khmer Living in the South of Vietnam?\",\"authors\":\"Nguyen The Truyen\",\"doi\":\"10.30819/aemr.7-4\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n In this article, the author will present some research issues as follows: Musical expressions of\\nlove for the homeland, Love among men and women, family affection, and attachment to work.\\nThe Khmer inhabiting South Vietnam practice all these expressions.\\nIn another short section, common characteristics with the music of other ethnic groups in Vietnam\\ninclude similar instrumental music, scales used and rhythmic structures applied.\\nThereby, the author reviews categorizations undertaken in the past demonstrating that Khmer\\nmusic strictly belongs to one ethnic group in the country. Also, musical instruments have been\\ncategorized in similar ways, using the Hornbostel-Sachs descriptive tools: Chordophone,\\nArephones, Idiophones, Membraphones, which are using a variety of scales and modes. It is also\\nsaid that the inheritance and promotion of the typical values of Khmer music into social life, was\\na very pragmatic fact, which needs more attention. The use of the term “Folk Music” is only\\nreflecting on a certain approach supported by cultural policies toward minorities from the 1970s\\nto 2010.\\n\\n\",\"PeriodicalId\":36147,\"journal\":{\"name\":\"Asian-European Music Research Journal\",\"volume\":\"69 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-06-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Asian-European Music Research Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30819/aemr.7-4\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Asian-European Music Research Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30819/aemr.7-4","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
What is Known About Some Music Features and Song Lyrics of the Khmer Living in the South of Vietnam?
In this article, the author will present some research issues as follows: Musical expressions of
love for the homeland, Love among men and women, family affection, and attachment to work.
The Khmer inhabiting South Vietnam practice all these expressions.
In another short section, common characteristics with the music of other ethnic groups in Vietnam
include similar instrumental music, scales used and rhythmic structures applied.
Thereby, the author reviews categorizations undertaken in the past demonstrating that Khmer
music strictly belongs to one ethnic group in the country. Also, musical instruments have been
categorized in similar ways, using the Hornbostel-Sachs descriptive tools: Chordophone,
Arephones, Idiophones, Membraphones, which are using a variety of scales and modes. It is also
said that the inheritance and promotion of the typical values of Khmer music into social life, was
a very pragmatic fact, which needs more attention. The use of the term “Folk Music” is only
reflecting on a certain approach supported by cultural policies toward minorities from the 1970s
to 2010.