关于生活在越南南部的高棉人的音乐特征和歌词,我们知道些什么?

Q3 Arts and Humanities Asian-European Music Research Journal Pub Date : 2021-06-21 DOI:10.30819/aemr.7-4
Nguyen The Truyen
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引用次数: 0

摘要

在这篇文章中,作者将提出一些研究问题:对祖国的爱的音乐表达,男女之间的爱,亲情和对工作的依恋。居住在南越的高棉人使用所有这些表达方式。在另一个简短的部分,与越南其他民族音乐的共同特征包括相似的器乐,音阶和节奏结构。因此,作者回顾了过去进行的分类,表明高棉音乐严格地属于该国的一个民族。此外,乐器也以类似的方式被分类,使用霍恩伯特尔-萨克斯的描述工具:弦乐器、arephone、idiphones、膜phone,它们使用各种音阶和调式。也有人说,将高棉音乐的典型价值观传承和推广到社会生活中,是一个非常实用的事实,需要更多的关注。“民族音乐”一词的使用只是反映了从20世纪70年代到2010年,少数民族文化政策所支持的某种方式。
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What is Known About Some Music Features and Song Lyrics of the Khmer Living in the South of Vietnam?
In this article, the author will present some research issues as follows: Musical expressions of love for the homeland, Love among men and women, family affection, and attachment to work. The Khmer inhabiting South Vietnam practice all these expressions. In another short section, common characteristics with the music of other ethnic groups in Vietnam include similar instrumental music, scales used and rhythmic structures applied. Thereby, the author reviews categorizations undertaken in the past demonstrating that Khmer music strictly belongs to one ethnic group in the country. Also, musical instruments have been categorized in similar ways, using the Hornbostel-Sachs descriptive tools: Chordophone, Arephones, Idiophones, Membraphones, which are using a variety of scales and modes. It is also said that the inheritance and promotion of the typical values of Khmer music into social life, was a very pragmatic fact, which needs more attention. The use of the term “Folk Music” is only reflecting on a certain approach supported by cultural policies toward minorities from the 1970s to 2010.
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来源期刊
Asian-European Music Research Journal
Asian-European Music Research Journal Arts and Humanities-Museology
CiteScore
0.30
自引率
0.00%
发文量
11
审稿时长
15 weeks
期刊最新文献
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