穹顶外的生活

PRISM Pub Date : 2021-03-01 DOI:10.1215/25783491-8922241
Chia-ju Chang
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引用次数: 0

摘要

本文采用非西方的、科学的、生态批判的视角来探索“雾霾生活”的自然文化现象,即在雾霾天进行的户外活动,如远足、赏雾或练太极。它与注重环保的前卫雾霾艺术形成鲜明对比。虽然前卫的雾霾艺术由于其强烈的行动主义倾向而符合今天的科学正确性,但我认为,被视为“生态模糊”或“雾霾Ah-Q”的日常雾霾生活实际上比前卫的雾霾艺术更具颠覆性。支撑雾霾生活的是一种集体的生态无意识——前现代的“雾”意识,这种意识在“雾霾现代性”中被压抑,其中与有毒雾霾(mai)等话题相关的科学话语已成为概念化空气的主要方式。笔者将这种被压抑的“雾”或“气”意识解读为对当前科学矫正话语和科学主义的一种反抗。如果我们将雾霾生活置于中国传统文化在技术现代性的帝国化中被系统边缘化的背景下,那么今天由空气污染引发的雾霾生活实际上是在邀请我们探索科学之外对空气的其他认知可能性。隐藏的生态意识及其话语有助于颠覆生命的网络化和作为唯一认识手段的排他性科学认识论的合法性。
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Life outside the Dome
This article uses a non-Western, scientific, and ecocritical perspective to explore the nature-cultural phenomenon of “smog life,” that is, outdoor activities taking place on a smog day, such as hiking, enjoying the fog, or practicing taiji. It presents a sharp contrast with environmentally focused, avant-garde smog art. Although avant-garde smog art is in line with today's scientific correctness by virtue of its strong commitment to activism, I believe that everyday smog life, which is viewed either as “ecoambiguous” or as “smog Ah-Q,” is in effect more subversive than its avant-garde smog art counterpart. What has undergirded smog life is a collective ecological unconsciousness—the premodern “mist” consciousness—that is suppressed in “smog modernity,” of which scientific discourse pertaining to topics such as toxic smog (mai) has become the predominant way of conceptualizing air. The author reads this suppressed mist (wu) or qi consciousness as a form of resistance against the current scientific-corrective discourse and scientism. If we situate smog life in the context of how traditional Chinese culture has been systematically marginalized in the imperialization of technological modernity, today's air-pollution-induced smog life is in actuality an invitation to explore other cognitive possibilities for air beyond the scientific. The hidden ecological consciousness and its discourse help subvert the cyberization of life and the legitimacy of an exclusive scientific epistemology as the only means of knowing.
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PRISM
PRISM Arts and Humanities-Literature and Literary Theory
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Chapter Seven: Art and Labor in Han Song's Regenerated Bricks Chapter One: Confucianism and Nature Chapter Eight: Toxic Colonialism, Alienation, and Posthuman Dystopia in Chen Qiufan Chapter Ten: Critical Ecotopia in Hao Jingfang's Vagabonds Chapter Four: We Are the Dragon King
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