天生的叛徒:安倍友治对《彼得·埃尔伯费尔德的叛变》的重构与欧亚人的形象

Q4 Arts and Humanities Gwagyeong Ilboneo Munhak Yeongu Pub Date : 2022-06-28 DOI:10.22628/bcjjl.2022.14.1.73
Dewi Anggraeni
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引用次数: 0

摘要

本文旨在以安倍友治在《Chi to Tsuchi to Kokoro - Eruberuferuto no koto nado》(1944.7)中重述的背叛故事为基础,厘清日本南方作家对20世纪40年代印度尼西亚欧亚人的看法。这里所说的背叛是彼得·埃尔伯菲尔德(Pieter Elberfeld)的背叛,他是一个欧亚人,被指控在爪哇人的帮助下策划叛乱,反对荷兰东印度公司当局,后来被残忍地处决。在20世纪30年代的日本,这个故事被“反西方”运动象征性地利用。安倍将欧亚混血儿描述为“没有明确理由的人”,并将他们描述为“天生的叛徒”。通过使用“接触区”的概念作为解释安倍文章的概念框架,本文认为这种对欧亚人的描述与日本在印度尼西亚对敌方外国人的军事政策有关。这项政策免除了欧亚人与欧洲人一起被关在集中营的权利,前提是他们能证明自己是亚洲人。结果,许多曾经为自己的欧洲血统感到自豪的欧亚人开始把自己认定为印尼人。这篇文章的发现填补了之前关于安倍作为南方委托作家的研究的空白,这些研究主要关注印度尼西亚的风景美景和那里荷兰女性的色情。
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Born Traitors:Abe Tomoji’s Reconstruction of “The Treason of Pieter Elberveld” and the Image of Eurasians
This article aims to clarify Japanese South-commissioned writers’ perception of Eurasians in 1940s Indonesia on the basis of Abe Tomoji’s retelling of a tale of treachery in his essay “Chi to Tsuchi to Kokoro— Eruberuferuto no koto nado” (1944.7). The treachery in question is that of Pieter Elberfeld, a Eurasian man accused of plotting a rebellion against Dutch East Indies Company authorities with Javanese assistance, who was then brutally executed. In 1930s Japan, this story was symbolically employed by the “anti-Western” movement. Abe portrays Eurasians as people who act without clear reasons because of their mixed-blood nature, and he represents them as “born traitors.” By employing the notion of the “contact zone” as a conceptual framework through which to interpret Abe’s essay, this article argues that this portrayal of Eurasians is related to the Japanese military policy towards enemy aliens in Indonesia. This policy exempted Eurasians from internment in camps alongside Europeans if they could prove their Asian descent. As a result, many Eurasians who once prided themselves on their European ancestry began to identify themselves as Indonesians. This article’s findings fill the void in previous research on Abe as a South-commissioned writer, which primarily focuses on Indonesian scenic beauty and the eroticization of Dutch women there.
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