提格兰的性格在硬币和雕塑上都很伟大

Madona Martirosyan
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摘要

现代戏剧中著名的提格兰大帝形象在纪念性雕塑和高雕塑肖像学中占有中心地位。在创作圆形雕像时,雕刻家以他们自己的方式描绘了提格兰大帝,给他穿上了模仿当时著名的罗马统治者的衣服。雕刻家们甚至没有保护这幅著名的肖像不受冲击,他们是按照自己的想法行事的。从这个意义上说,这些剧集更加保守。在他们高大的雕塑中,提格兰大帝有一个可识别的形象,并在梦境中重复这个形象。在亚美尼亚艺术家中,提格兰大帝的雕像是由托克马吉安家族创作的。在他们的作品中,国王的形象是象征性的,而不是具象的。17世纪的马特奥斯·莱斯帕格兰德利(Matteos Lespagnandelli)创作的“亚美尼亚国王提格兰”(Tigran, King of Armenia)雕像,在形式和内容上都有所不同。《提格兰大戏》正面描绘的亚美尼亚国王的高价值雕塑是原创艺术作品。本文论述了提格兰大帝在雕塑艺术中的形象。通过对作品的历史和年代对比分析,试图了解提格兰大帝作品的特点。
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THE CHARACTER OF TIGRAN THE GREAT IN COINS AND SCULPTURE
The well-known image of Tigran the Great of modern drams occupies a central place in monumental sculpture as well as high-sculpture iconography. While creating round statues, sculptors-engravers depicted Tigran the Great in their own way, dressing him in imitation of the clothes of the famous Roman rulers of the time. The sculptors did not even protect the well-known portrait from the dram: they were guided by their own ideas. In that sense, the episodes are more conservative. In their high sculptures, Tigran the Great has a recognizable image and repeats the image on the drams. Among the Armenian artists, the statues of Tigran the Great were created by the Tokmajian family. In their works, the image of the king is more symbolic than concrete. The statue "Tigran, King of Armenia" created by Matteos Lespagnandelli (17th century), differs in form and content. The high-value sculptures of the Armenian king depicted on the obverse of Tigran the Great drams are original works of art. The article discusses the image of Tigran the Great in sculptural art. Based on the historical and chronological comparative analysis of the works, an attempt was made to understand the features of the works depicting Tigran the Great.
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来源期刊
Scientific Bulletin of Naval Academy
Scientific Bulletin of Naval Academy Engineering-Ocean Engineering
自引率
0.00%
发文量
16
审稿时长
8 weeks
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