《我的骨头》中不可叙述之处的分析

Sufen Wu
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引用次数: 0

摘要

《骨》是华裔美国小说家吴绮丽的小说,讲述了20世纪60年代到90年代居住在旧金山唐人街的一个中国移民家庭的虚构历史。在《骨》中,吴恩达不仅很好地讲述了移民在新土地上遇到的困难和艰辛,而且还将一些信息隐藏在表面之下,使其不被叙述,比如欧娜的内心活动,马的通奸和排华法。因此,本研究将借鉴沃霍尔提出的不可叙述理论,研究不可叙述的超叙述、反叙述和超叙述这三类不可叙述,从而发现作者意图与文本之间的联系,摸索出吴恩达《骨头》中隐藏的情节。只有找到未被叙述的部分,并将其与被叙述的部分结合起来,才能更好地理解华裔美国人的故事和他们难以言喻的刺骨之痛。
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AN ANALYSIS OF THE UNNARRATABLE IN FAE MYENNE NG’S BONE
Bone, a novel written by Chinese American novelist Fae Myenne Ng, is concerned with the fictional history of a family of Chinese immigrants who live in the Chinatown of San Francisco from the 1960’s to 1990’s. In Bone, Ng not only does a good job in speaking out the difficulties and hardships the immigrants encounter on the new soil but also hides some information beneath the surface, leaving it unnarrated, like Ona’s inner activities and Mah’s adultery and the Chinese Exclusion Law. Therefore, this study, drawing on the theory of the unnarratable put forward by Warhol, aims to study the supranarratable, the antinarratable, and the paranarratable, three categories of the unnarratable, so as to discover the connection between the author’s intentions with the text and to fumble out the hidden plot within Ng’s Bone. Only when we find out the unnarrated and combine it with the narrated can we better understand the Chinese Americans’ stories and their unspeakable bone-piercing pain.
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审稿时长
10 weeks
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