电影《逃出绝命镇》(2017)中赋予黑人角色力量的音乐方面

Syeikha Annisa Marasabessy, Lucia Lusi Ani Handayani
{"title":"电影《逃出绝命镇》(2017)中赋予黑人角色力量的音乐方面","authors":"Syeikha Annisa Marasabessy, Lucia Lusi Ani Handayani","doi":"10.24821/resital.v20i2.2594","DOIUrl":null,"url":null,"abstract":"In this 21st century, the representation of Black people in many U.S. movies is still problematic, for the movies do not omit the stereotypical representations of Black people, which are often depicted being disrespectful and unintelligent compared to other races. Many movies have been trying to change them into another perspective, yet they are still unable to completely get rid of those stereotypes. By looking through the cinematic aspects, the dialogues, and the symbols along with the sounds and music used, this paper examines the stereotypes of Black characters the movie Get Out (2017) by Jordan Peele using discourse analysis. The paper observes that the representation of the movie still distinguishes Black from White in the aspects of body over mind in Black masculinity, incivility, and distinctive racial labor. As a result, Black characters are seen inferior compared to White characters despite the movie’s effort to empower them. The use of music also emphasizes the power relation difference between the two races. Overall finding of the paper reveals that the existence of Black stereotypical depiction is still found in a movie empowering Black people showing that race representation should be monitored thoroughly.","PeriodicalId":30706,"journal":{"name":"Resital Jurnal Seni Pertunjukan","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2019-08-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Musical Aspects for Empowering the Black Characters in the Movie Get Out (2017)\",\"authors\":\"Syeikha Annisa Marasabessy, Lucia Lusi Ani Handayani\",\"doi\":\"10.24821/resital.v20i2.2594\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this 21st century, the representation of Black people in many U.S. movies is still problematic, for the movies do not omit the stereotypical representations of Black people, which are often depicted being disrespectful and unintelligent compared to other races. Many movies have been trying to change them into another perspective, yet they are still unable to completely get rid of those stereotypes. By looking through the cinematic aspects, the dialogues, and the symbols along with the sounds and music used, this paper examines the stereotypes of Black characters the movie Get Out (2017) by Jordan Peele using discourse analysis. The paper observes that the representation of the movie still distinguishes Black from White in the aspects of body over mind in Black masculinity, incivility, and distinctive racial labor. As a result, Black characters are seen inferior compared to White characters despite the movie’s effort to empower them. The use of music also emphasizes the power relation difference between the two races. Overall finding of the paper reveals that the existence of Black stereotypical depiction is still found in a movie empowering Black people showing that race representation should be monitored thoroughly.\",\"PeriodicalId\":30706,\"journal\":{\"name\":\"Resital Jurnal Seni Pertunjukan\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-08-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Resital Jurnal Seni Pertunjukan\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.24821/resital.v20i2.2594\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Resital Jurnal Seni Pertunjukan","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24821/resital.v20i2.2594","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

在21世纪的今天,很多美国电影对黑人的表现仍然存在问题,因为电影并没有省略对黑人的刻板印象,与其他种族相比,黑人经常被描绘成不被尊重和不聪明的人。很多电影都试图改变他们的视角,但他们仍然无法完全摆脱这些刻板印象。本文通过对乔丹·皮尔电影《逃出绝命镇》(2017)中对白、符号、声音和音乐的研究,运用话语分析的方法来研究黑人角色的刻板印象。本文观察到,在黑人的男子气概、不文明行为和独特的种族劳动等方面,电影的表现仍然将黑人与白人区分开来。因此,尽管电影努力赋予黑人角色权力,但与白人角色相比,黑人角色被视为低人一等。音乐的运用也强调了两个种族之间权力关系的差异。本文的总体发现表明,在赋予黑人权力的电影中仍然存在对黑人的刻板印象,这表明种族代表性应该得到彻底的监控。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Musical Aspects for Empowering the Black Characters in the Movie Get Out (2017)
In this 21st century, the representation of Black people in many U.S. movies is still problematic, for the movies do not omit the stereotypical representations of Black people, which are often depicted being disrespectful and unintelligent compared to other races. Many movies have been trying to change them into another perspective, yet they are still unable to completely get rid of those stereotypes. By looking through the cinematic aspects, the dialogues, and the symbols along with the sounds and music used, this paper examines the stereotypes of Black characters the movie Get Out (2017) by Jordan Peele using discourse analysis. The paper observes that the representation of the movie still distinguishes Black from White in the aspects of body over mind in Black masculinity, incivility, and distinctive racial labor. As a result, Black characters are seen inferior compared to White characters despite the movie’s effort to empower them. The use of music also emphasizes the power relation difference between the two races. Overall finding of the paper reveals that the existence of Black stereotypical depiction is still found in a movie empowering Black people showing that race representation should be monitored thoroughly.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
27
审稿时长
4 weeks
期刊最新文献
Konsep Kempel dalam Keprakan dan Dhodhogan pada Pergelaran Wayang Golek Menak Gaya Yogyakarta Tembang Macapat Sebagai Metode Untuk Penanaman Dasar-Dasar Musikalitas Pengaruh Mendengarkan Musik Terhadap Kondisi Rilaksasi Membaca Praktik Musik Mamanda Kutai Lewat Ekosistem Musikal PRIYANGGA: Sebuah Komposisi Karawitan dalam Perspektif Personal
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1