第二章:鲁迅对技术官僚的神话生态学反驳

PRISM Pub Date : 2022-12-01 DOI:10.1215/25783491-10259382
Ban Wang
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引用次数: 0

摘要

鲁迅最初被认为是对中国传统的批判,很少被理解为对技术科学理性的批判。本雅明在现代性批判中援引了前现代文化中人与自然的乌托邦式和解。在同样的脉络下,鲁迅还原了古代世界的画面,在那里,乡民与自然亲密相处,崇拜超自然的生物,遵守古老的仪式。鲁迅将进步和技术的神话与“伪君子”的“恶毒声音”的合唱联系起来,敦促我们摆脱这种伪君子,保留神话生态信仰。本章考察鲁迅在《旧事重述》中的故事,探讨这位中国作家在对技术官僚现代性的批判中对过去神话和生态形象的恢复。面对进步的神话、技术拜物教和技术官僚精英的崛起,鲁迅试图从古老的传统中揭示和挽回原始的形象。
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Chapter Two: Lu Xun's Mytho-ecological Refutation of Technocrats
Primarily thought of as a critic of Chinese tradition, Lu Xun is less understood as a critic of technoscientific rationality. Walter Benjamin invoked the utopian reconciliation of humans and nature from premodern culture in critiques of modernity. In the same vein, Lu Xun recovered images of the ancient world where rural folks lived in intimacy with nature, worshiped supernatural beings, and observed time-honored rituals. Linking the myth of progress and technology to a chorus of “malevolent voices” by a “hypocrite gentry,” Lu Xun urged that we should rid of ourselves of this hypocrite gentry and retain mytho-ecological beliefs. Examining Lu Xun's stories from Old Tales Retold, this chapter explores the Chinese writer's recovery of the mythical and ecological images from the past in his critique of technocratic modernity. Confronted with the myth of progress, technological fetishism, and the rise of a technocratic elite, Lu Xun sought to uncover and redeem primordial images from archaic traditions.
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PRISM
PRISM Arts and Humanities-Literature and Literary Theory
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