阿玛斯拉博物馆的拟人烛台

Q1 Arts and Humanities Gephyra Pub Date : 2022-11-15 DOI:10.37095/gephyra.1113822
Ersin Çelikbaş, Kasım Oyarçi̇n
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引用次数: 0

摘要

研究对象是阿玛斯拉博物馆通过购买获得的拟人化青铜烛台。烛台(candelabrum)是罗马时期用来携带油灯的大型多臂烛台,它由一个放置灯的盘子和一个将灯抬离地面的腿组成。在阿玛斯拉博物馆保存的拟人化烛台上有一个小孩的形象。这个在四个方向上精心制作和突出的儿童形象占有重要的地位,因为它包含了罗马造型艺术中最美丽的例子之一。在研究范围内强调了烛台的使用目的、现状和一般特征,然后根据罗马塑料风格和类型学以及生产技术对其进行了详细评估。研究的结果是,将烛台与类似的例子进行了比较,考虑到人物特征和制作技术,认为它是在公元2世纪末和公元3世纪初生产的,以及为什么在烛台上选择一个小孩的人物。
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An Anthropomorphic Candelabrum from Amasra Museum
The subject of the study is an anthropomorphic bronze candelabrum that was acquired by the Amasra Museum through purchasing. The candelabrum, a large multi-armed candelabra used to carry oil lamps during the Roman period, is made up of a plate in which the lamp is placed and a leg that raises it off the ground. There is a figure of a small child on the anthropomorphic candelabrum preserved in the Amasra Museum. This elaborated and highlighted in four directions child figure holds an important place in that it contains one of the most beautiful examples of Roman plastic art. The purpose of use, current situation, and general features of the candelabrum were emphasized within the scope of the study, and it was then evaluated in detail in terms of Roman plastic style and typology, as well as production technique. As a result of the study, the comparison of the candelabrum with similar examples was made, considering the figure feature and production technique, it was stated that it was produced at the end of the 2nd century AD and the beginning of the 3rd century AD, and why a figure of a small child might be preferred on the candelabrum.
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来源期刊
Gephyra
Gephyra Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.70
自引率
0.00%
发文量
7
审稿时长
12 weeks
期刊介绍: Gephyra - a Journal for the Ancient History and Cultures of the Eastern Mediterranean - is an open access publication platform for articles from all fields of research into Asia Minor and the Eastern Mediterranean, insofar as they shed new light on the history and culture of this geographical and historical region. Scope: Epigraphic, archaeological, numismatic and art historical contributions, commented and evaluated material presentations, as well as historical reflections and essays are all equally welcome.
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