旅游写作中的环境与自然:《老巴塔哥尼亚快车》和《东至鞑靼》的生态文体研究

Salvador Alarcón-Hermosilla
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引用次数: 0

摘要

摘要本文探讨了两本旅游书籍对自然景观的描述,分别是保罗·塞鲁克斯的《古老的巴塔哥尼亚快车:乘火车穿越美洲》和罗伯特·卡普兰的《向东到鞑靼:巴尔干、中东和高加索之旅》。本文的目的是分析在给定的文本段落中,某些语言选择是如何共同构成旅游写作中自然景观描写段落的氛围的。这将通过结合概念隐喻理论(CMT)和框架语义(FS)的见解来实现。我将重点关注自然描写的氛围,即通过文本的语言在读者心中唤起的自然世界的感觉。这将通过检查两位作者的词汇选择来处理,特别注意形容词。被调查的节选是因为其中的描述性语言唤起了框架和概念领域,而框架和概念领域反过来又产生了一系列隐喻。这些隐喻概括了旅行书的基调,即作者的质感,尤其是作者的思想立场。保罗·塞洛克斯对周围的自然和人们表现出一种更有同理心的态度,而罗伯特·d·卡普兰则采取了一种更遥远、更分析的立场。
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Ambience and nature in travel writing: An ecostylistic study of The Old Patagonian Express and Eastward to Tartary
Abstract The present paper explores descriptions of natural landscapes excerpted from two travel books, namely, The Old Patagonian Express: By Train through the Americas, by Paul Theroux, and Eastward to Tartary: Travels in the Balkans, the Middle East and the Caucasus, by Robert D. Kaplan. The paper aims at analyzing how certain linguistic choices in a given stretch of text conspire to construe the ambience of descriptive passages of natural landscapes in travel writing. This will be carried out by combining insights from Conceptual Metaphor Theory (CMT) and Frame Semantics (FS). I will be focusing on the ambience of the natural depictions, that is, the sense of the natural world evoked in the reader’s mind by the language of the text. This will be dealt with by examining the lexical choices made by both authors, paying special attention to the adjectives. The excerpts under investigation have been selected since the descriptive language in them evokes frames and conceptual domains, which, in turn, yield a series of metaphors. These metaphors summarize the tone of the travel books, that is, the authorial texture and, especially, the ideological stance of the authors. Paul Theroux displays a more empathetic approach to the surrounding nature and its people, whereas Robert D. Kaplan adopts a more distant, analytical stance.
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