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Abstract

6.1 Introduction 6.2 Two translations of the Platform Sutra: similarity and difference 6.3 SFL and visual social semiotics: with an interpersonal focus 6.3.1 Interpersonal meaning in SFL 6.3.2 Interactive meaning in visual social semiotics 6.4 Images of Huineng on the book covers and in the translated texts 6.4.1 Images of Huineng on the book covers 6.4.2 Images of Huineng in the translated texts 6.4.3 Summary: picture-text congruence and reader attraction 6.5 Conclusion
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徽能在书籍封面和文字文本中的形象
6.1绪论6.2《站台经》的两种译本:相似与差异6.3 SFL与视觉社会符号学:以人际为中心6.3.1 SFL中的人际意义6.3.2视觉社会符号学中的互动意义6.4书封面与译文中的会能形象6.4.1书封面上的会能形象6.4.2译文中的会能形象6.4.3总结:图文一致性与读者吸引力6.5结语
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Conclusion Images of Huineng on Book Covers and in Verbal Texts Paratextual Attitude and the Image of Huineng Same Chan Master, Different Images: The Story of Huineng and its Translations Personal Pronouns and Images of Huineng
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