Wonder

Alicia Eggert
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Abstract

Wonder (2011) is an interactive, kinetic sculpture. The work is essentially a living drawing, a residuum of movement that is brought to life by the movement of others. From a distance, the white dots appear to be a constellation, and the work remains static. As a person approaches, the motors suddenly come to life and the dots slowly coalesce to spell the word 'wonder'. However, much like a pointillist painting, the word is illegible when viewed up close. Because of that, it ideally requires two or more people to participate. The person approaching or 'wondering' becomes the artist/performer, physically bringing the work to fruition with their movements. Onlookers are given the ability to see the 'wonder' in the making, both literally and metaphorically. The typically passive act of looking becomes a physically active performance, and people in the vicinity are able to watch and be entertained by the spectacle of it. It is the sculpture's playful nature that really interests me. Whether or not viewers ever discover the word 'wonder' within the work is not important. Meaning is constructed and elaborated collectively, through a shared and hopefully memorable experience.
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《奇迹》(Wonder, 2011)是一个互动的动态雕塑。作品本质上是一幅活生生的图画,是一种运动的残余,它被其他人的运动赋予了生命。从远处看,这些白点似乎是一个星座,作品保持静止。当一个人靠近时,马达突然启动,这些点慢慢地拼成“奇迹”这个词。然而,就像点彩画一样,近距离看这个词是难以辨认的。因此,理想情况下,它需要两个或更多的人参与。接近或“好奇”的人变成了艺术家/表演者,用他们的动作使作品结出果实。旁观者被赋予了看到“奇迹”正在形成的能力,无论是字面上还是隐喻上。典型的被动观看行为变成了一种身体上的主动表演,附近的人可以观看并从中获得乐趣。真正使我感兴趣的是这个雕塑好玩的性质。观众是否能在作品中发现“奇迹”这个词并不重要。意义是通过共同的、希望是难忘的经历而被构建和阐述的。
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