ARTISTIC TRANSCRIPTION OF THE EDGAR ALLAN POE'S IMAGERY IN ANTUN GUSTAV MATOŠ'S AND MYKHAILO YATSKIV'S PROSE

Anna Komarytsia
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Abstract

Background: On the one hand, the literary works of A.G. Matoš were studied by Croatian scholars in the context of the philosophy and poetics of modernism. The authors of fundamental studies about A.G. Matoš are Dubravko Jelčić, Dubravka Oraić Tolić, Mladen Dorkin, Zlatko Posavac, Miljenko Majetić and Nada Iveljić. On the other hand, Ukrainian researchers Mykola Ilnytskyi, Solomiya Pavlychko, Oksana Melnyk, and Polish researcher Agnieszka Matusiak analyzed and studied M. Yatskiv's creative style in the context of the aesthetic canons of the modernism. The novelty of this article is in addressing the influence of E. Poe on the literary texts of the Ukrainian and Croatian modernists using the comparative approach. Purpose: This is the first attempt to analyze the influence of E. Poe on A. G. Matoš and M. Yatskiv. This article treats the actual and yet not studied question of a multilayer impact (composition, imagery set) of the American writer on the Croatian and Ukrainian modernist writers. Results: Romanticism writer Edgar Poe undoubtedly influenced Mykhailo Yatskiv and Antun Gustav Matoš, especially with his essay “The Philosophy of Composition”. In this essay the author demonstrates the principle of constructing the plot with the logic and the hidden mechanisms of imagery construction. But in the biography of the American writer we can find facts that poems such as “Nevermore”, “Ligeia” and others weren`t the result of logic, but they were yearning for his wife who passed away being very young. The author of this study found a numerous allusions on the essay “The Philosophy of Composition” by E. Poe, his images of a horror crow and a cat, as well as the images of dead beloved beautyis in many literary works of A.G. Matoš and M. Yatskiv. Croatian and Ukrainian symbolists also used E. Poe`s technique of the total effect. Mystery element is generalized in the literary texts of three authors in the images of the sphinx, which has several meanings. The most common meaning is the abstract definition of something mysterious that needs to be answered. Similarities between Matoš's and Yatskiv's imagery with American writer E. Poe prove, that Ukrainian and Croatian writers were inspired by the world art achievements, creatively transforming ideas that were contemporary both to the romanticism and modernism. Key words: Edgar Allan Poe, Antun Gustav Matoš, Mykhailo Yatskiv, modernism, romanticism, “The Philosophy of Composition”, art scenography.
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安顿·古斯塔夫matoŠ和米哈伊洛·亚茨基夫散文中爱伦·坡意象的艺术转录
背景:一方面,克罗地亚学者将马托夫斯基的文学作品置于现代主义哲学和诗学的语境中进行研究。对A.G.马托夫斯基进行基础研究的作者有杜布拉夫科·耶尔伊奇、杜布拉夫卡·奥拉伊奇·托里奇、姆拉登·多尔金、兹拉特科·波萨瓦茨、米连科·马杰季奇和纳达·伊韦基奇。另一方面,乌克兰学者伊尔尼茨基、帕夫利奇科、奥克萨娜·梅尔尼克和波兰学者阿格涅斯卡·马图西亚克在现代主义美学规范的背景下对亚茨基夫的创作风格进行了分析和研究。本文的新颖之处在于用比较的方法探讨爱伦·坡对乌克兰和克罗地亚现代主义文学文本的影响。目的:首次尝试分析爱伦·坡对马托夫斯基和亚茨基夫的影响。本文探讨了美国作家对克罗地亚和乌克兰现代主义作家的多重影响(构图、意象集)这一现实而尚未研究的问题。结果:浪漫主义作家埃德加·坡无疑影响了米哈伊洛·亚茨基夫和安顿·古斯塔夫·马托夫斯基,尤其是他的论文《作曲的哲学》。在本文中,作者论证了用逻辑建构情节的原则和意象建构的隐含机制。但在这位美国作家的传记中,我们可以发现这样的事实:《永不再来》、《丽姬娅》等诗并不是逻辑的结果,而是对他年轻时去世的妻子的思念。作者在爱伦·坡的《写作哲学》中发现了大量的典故,在他的作品中发现了恐怖的乌鸦和猫的形象,在马托夫斯基和亚茨基夫的许多文学作品中也发现了死去的心爱美人的形象。克罗地亚和乌克兰的象征主义者也使用了爱伦·坡的整体效果技巧。在狮身人面像中概括了三位作者的文学文本中的神秘元素,具有多重意义。最常见的意思是对需要回答的神秘事物的抽象定义。马托夫斯基和亚茨基夫的意象与美国作家爱伦·坡的相似之处,证明了乌克兰和克罗地亚作家受到世界艺术成就的启发,创造性地将当代的思想转变为浪漫主义和现代主义。关键词:爱伦·坡,安顿·古斯塔夫·马托夫斯基,米哈伊洛·亚茨基夫,现代主义,浪漫主义,“构图哲学”,艺术场景学
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