New Church Architecture and the Rise of Monasticism

R. Ousterhout
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Abstract

By the end of the ninth century, Byzantium emerged from the Transitional Period as a smaller entity, limited for the most part to Turkey, Greece, and the southern Balkans. Society was also transformed, from open to closed, from public to private. A new type of church architecture emerged—small, centralized, and domed (the “cross-in-square” church type)—perfectly suited to the private worship of the family or the small congregation. The church’s spatial organization was matched by the development of a standardized decorative program (in mosaic or fresco) that reflected the hierarchy of Orthodox belief. Monasticism emerged as a major social force, although in contrast to Western Europe, Byzantine monasteries remained relative small, with an organization that resembled that of the household (oikos).
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新教堂建筑与修道主义的兴起
到9世纪末,拜占庭从过渡时期作为一个较小的实体出现,大部分地区限于土耳其,希腊和巴尔干半岛南部。社会也发生了变化,从开放到封闭,从公共到私人。一种新型的教堂建筑出现了——小型的、集中的、圆顶的(“方形十字架”教堂类型)——非常适合家庭或小型会众的私人崇拜。教堂的空间组织与标准化装饰程序(马赛克或壁画)的发展相匹配,反映了东正教信仰的等级制度。修道主义成为一股主要的社会力量,尽管与西欧相比,拜占庭修道院仍然相对较小,其组织类似于家庭(oikos)。
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